Since my project ThousandSketches I have continued to sketch. Digital painting – but I like the term sketch. Many of these are on my art website. That site is still there but I’ve deprecated it and tried to integrate it into this blog. It’s a bit of a mess. Still, this blog becomes an art blog when you click the Art Category. Digital Sketches delivers just my own work.
I’m warming up to posting more. I’ve beed reflecting on the delicacy of nature, and the crudeness of humanity’s sometimes beautiful desire to transcend itself. This began with the earth crosses… natural textures of landscape cut by something I think of as human presence, fast and bold.
That’s 12 years ago. “Green Peace”
Here is a recent one – not in the earth cross series but maybe in a new one.
Maybe it is called “Science”, or “Civilisation”. Playing on the theme of putting borders or frames around art.
Do I put these in the container? or are they better left wild?
Working with a range of archival materials from the Macmillan Brown Library & Heritage Collections, Julia Holderness explores her own textile making alongside that of artist and teacher Florence Akins (1906-2012). Akins’ documents relate to her teaching of textiles at the Canterbury College School of Art, and include lecture notes and other instructional resources such as colour diagrams. Holderness reworks them and presents their possible entanglement with the international Bauhaus movement. Connections are also made with Florence Weir (1899-1979), currently the only known New Zealander to have studied at the Bauhaus. In 1936 Weir designed the costumes and sets for a local Christchurch production, and these were said to have been inspired by her time at the Bauhaus. The production was never staged publicly, and in the absence of any surviving documentation, Holderness imagines these designs in an appliqué series. This exhibition is part of a Visual Arts PhD in practice-led research at Auckland University of Technology, in which Holderness develops practices of fabrication, approximation and invention to interrogate archives and their construction of art-historical narratives.
Very good. Well done. And yet as we watched we realised the misses a psychological dimension. Metaphor. Surplus reality. Theatre of truth.
For example. He shows some remarkable research about the implanting of false memories. But he draws the wrong conclusion. These memories my not be literally true, but literalism is the enemy soul. The story that is recontructed like dreams interpreted may have more meaning than the literal truths. Give the psyche a story, and it will use it to reveal depths.
“Books are frozen voices, in the same way that musical scores are frozen music. The score is a way of transmitting the music to someone who can play it, releasing it into the air where it can once more be heard. And the black alphabet marks on the page represent words that were once spoken, if only in the writer’s head. They lie there inert until a reader comes along and transforms the letters into living sounds. The reader is the musician of the book: each reader may read the same text, just as each violinist plays the same piece, but each interpretation is different.”
This of course rhymes and echoes with the concept of the Canon of Creativity – conserves > warm up > spontaneity > creativity.
I’m writing this post as it goes well with a thought we developed recently about The Writer.
The writer is the servant of the vision.
The writer can give the voice to the vision. The writer is not you, or the whole of you. The writer has a job to to. The vision needs no bounds. The writer will prune and edit in a way the visionary can’t.
The discipline of the writer will paradoxically enhance the vision.
I’m thinking of importing that one into this one – but found it quite hard to do it. It is an identity thing. I’m more a psychodrama person than a Psyberspace person these days. Dropped psychotherapy online. But is it an art blog? I’m wring a book called D R A M A http://www.walterlogeman.com/art/new-art-project/
It is not that I’m importing one blog into another – I’m integrating two identities I have. I think it will be good for me!
Some categories to fix, and that is it. ONE
Now what to call the site?
Psyberspace (that can stay) Walter Logeman’s Journal
Cartoonist and theorist Scott McCloud has been making and thinking about comics for decades. He is the author of Understanding Comics: The Invisible Art. This classic volume explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used.
Scott McCloud breaks down some of the universals in comics and guides us through some of the comic books that pushed the art form forward. Then we use that lens to look at graphic communication in the world at large.