I wrote a bit on my Psyberspace blog after I did the last three sketches. Here is a quote:
Tools evolve, and the best use of any given tool is of value. I have done a lot of sketching on my Palm PDAs – tool I’ll never use again – but therein lies something of value. The lead pencil has no colour. But look what has been done over the centuries with the humble pencil, and it lives. The current – no pressure iPad will die and be gone, but I look forward to making use of it, while it is in its first iteration. What can the finger do on that thing?
Here are some examples, some good stuff there.
I am tweeting pictures. I am waltzzz on twitter
But really, my main photo page is in Flickr
I must say I am enjoying my Yoono sidebar in Firefox – I am suddenly integrating twits with fotos & facebook. It makes such a difference to me that I can see the pix in the sidebar.
I worked hard today painting in acrylics. Not much to show for it, nothing to post here in real media, (still waiting for my camera, it arrived from Hong Kong but its at the airport till Monday, but there is nothing to photograph anyway.) I was trying to translate a #0736 Trees from the Thousand Sketches and it was hard. This sort of digital to physical is a challenge.
One thing I did, in a moment of frustration with real paint, was a new digital. It just flew out. It is like the one I was using for a reference, with a subtly different feel.
It is now obvious why I found it hard. The mottled effect is done digitally by setting the paper to very rough on those layers. The light spots are pits in the “paper”. Maybe I need to forget about being too true to my digital version & go with the medium? Or maybe persist?
How would you do this in acrylic?
I thought that Yves Klein’s Blue must have been the purest blue #0000ff, all the blues and nothing else.
But not so. I discovered that IKB is in fact #002FA7
||#0000ff – Mathematially pure blue?
||#002FA7 – International Klein Blue
||#8B8BFF – mid-point light blue
I have just made all the un-clicked links on this blog IKB. The visited ones are light blue.
My Toshiba M200, which has been the took for most of my work in the last few yours suddenly won’t work as a Tablet. No pen. Hope it is a quick fix but I can’t see how to do it. It is Queens Birthday here, so I can’t even take it in to be fixed. Any ideas?
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I am reading a book, Digital art Studio, about print making using digital images and ink jet printers. Lots of info & ideas for using more traditional media in combination.
To get an idea check out the websites of the three authors:
Dorothy Simpson Krause
I am busy gathering material, bought some “Rabbit Skin Glue” today, and InkAID.
Some images follow:
Continue reading “Digital Art Studio – adventures in Ink”
I have these in mind to experiment with in the printing. These are about how I want them to look, but I will try different plain paper, wartercolour etc, and use “vivid” versions to compensate for the absobtion. I might also try over printing.
And these might end up in my landscape presentation of prints in the usual way.
Now this one grew out of the last one. One thing leads to another. But the process is not done. I can see this leading to more “design” style images, I am getting the hang of it and using a few new functions I am learning in the software (like copying a layer and then moving it slightly etc)
But what do I do, work on the bush or play more with designs? So this is what happens… a myriad of scrappy projects that I love doing… To be honest I think I will get there. Sooner or later I’ll get a series done and they will a unified life.
Earth Crosses got there, though there is a printing job to finalise there.
Next post, more moves into different directions.