Doubling, Spontaneity, Creativity and Encounter

Just added this to my Writing page.

Doubling, Spontaneity, Creativity and Encounter (docx) — Out of date (Saturday, 7 May, 2016)

Now working on a draft here in Google Docs

This is an article I’ve been working on since I presented something along these lines at 2014 AANZPA conference.  Its about the value of doubling what is adequate in the protagonist. Doubling is not coaching, but assisting the protagonist to say what is in them in a way that it can be heard.

It takes further the ideas I came away with from the Dan Wile workshop. He says something like this: I assist the couple to heave the conversation they would have if they were not fighting.

See additional notes from 6 October 2012 Zerka Moreno on Doubling and Tele

Mirroring & Cybernetics

… the ability to perceive difference is a crucial, perhaps a necessary prerequisite for spontaneity. I saw more clearly one of the purposes of the psychodramatic technique of mirroring, it allows information, potentially lost* to be maximised and responded to.

This is a quote from an article I wrote in 1987! My friend Don said he had something I wrote back then, he dug it out. Wonderful to see it. Thanks Don! I recognised it as something I had written, especially the typeface from my old Brother Golf Ball printer but that was about it, I recalled nothing of the content.

I quite like it though, and here is a link to the whole paper, now scanned and online.

Mirroring & Cybernetics

Creativity, spontaneity and something Blake said

I have linked to this quote before, I just noticed it again & saw it in a new light. In relationship to Moreno’s Canon of Creativity. I think the word “attention” is wonderful. Eastern traditions use attention in meditation, but what is attention? A Buddhist friend of mine said it is simply love. It is a mystery alright! I can put my attention where I will! Attention is intentional. Right now it is on the blinking cursor. A moment later on the song playing on the radio downstairs.

Attention & blessing are all forms of warm-up?

Compare this from with the passage below from an essay I have that will be in the next Psychodrama journal. Michael Meade:

What happens if they’re not shown the recognition of that seed?

Now, we’re back to death. William Blake said that the garden of the soul is already planted and is waiting for the water of life. Call it the water of attention. There are innate ideas, dreams, stories, buried in people. When we don’t water those seeds, culture loses ideas. It loses imagination. It loses the capacity to dream itself forward. I mean that literally.

What happens to someone whose innate core cannot grow?

The “second nature” of a person (the innate capacities) needs two kinds of attention. The person has to attend to it themselves. It also needs the other kind of attention which used to be called a blessing, the attention, especially from someone who’s respected, someone who says, “I saw that. I heard that. I see the seed of life you’re coming from.” If these two kinds of attention don’t happen, a kind of death is occurring, a withering.

From my essay, with a quote from Moreno:

“The universe is infinite creativity.” – Moreno

Moreno envisaged creativity as integral to the universe. Humans have creativity by virtue of being born in the universe and thus creativity itself lives within us. Yet not all of us are able to tap into our creative potential. What is the difference between those who create successfully and those who do not?

“What separates them is the spontaneity which, in the successful cases, enables the carriers to take full command of their resources, whereas the failures are at a loss with all their treasures; they suffer from deficiencies in their warming-up process. Creativity without spontaneity becomes lifeless; its living intensity increases and decreases in proportion to the amount of spontaneity in which it partakes. Spontaneity without creativity is empty and runs abortive. Spontaneity and creativity are thus categories of a different order; creativity belongs to the categories of substance — it is the arch substance — spontaneity to the categories of catalyzer — it is the arch catalyzer.”

(Moreno, 1953:39-40)

This quotation is drawn from Who Shall Survive, where Moreno describes the Canon of Creativity. This quotation, drawn from Who Shall Survive, describes the Canon of Creativity. I interpret Moreno’s Canon as a heritage of paths to creativity; on the one hand, our innate vitality and ability to be spontaneous beings and on the other, our artifacts, all that we have made, the tools we use, our alphabet, language and literature, all the items conserved in the culture. The inherited past including art works and treasures remain dull and dead until we come to them with spontaneity. Our cultural items cannot influence our creativity until we bring them back to life. We are automatons unless we are co-creators.