Just one of about 15 for sale on Felt. – I can still do them before Christmas, hurry.
Mapping a Route of Beauty to the Heart of the World
by Jason Sugg
Submitted in partial fulfillment of the requirements for the degree of
Master of Arts in Counseling Psychology
Pacifica Graduate Institute
14 February 2012
Has a whole section on Participation Mystique and I-Thou.
Below is an enticing quote. The reason I’m attracted to this work is that I think that the very relationships we are discussing here, participatory, with the ego dropped, with heightened awareness of self and other, are also the relationships that are needed between therapist and client, and not as well grasped: they are vital to knowing. We can’t know others at this level of consciousness without participating in it ourselves. Continue reading
I’ve been using Pocketcasts on the iPhone. First one I’ve liked in all these years. The iTunes one never satisfied and the way I used to do it – was clumsy. But it worked and was essentially what did on the Palm.
Casts (as it also gets called) has a sharing function so I can easily pop them inhere from time to time. — though not the full audio. So the links might no work. When there is one I really want I’ll post the whole thing. The pocket cast links work only on the iPhone (or Android?) if you have the app.
Are Computers Creative?
Studio 360 from PRI and WNYCEpisode:
I did follow this one up:
I liked this show. Why dpi these AI programs never use the Internet, Wolfram Alpgha etc? Siri creates its own search … I think the big breakthrough will come when they link all of these things – the music – art and writing and all search through some higher entity.
I just noticed the words “higher entity” I just mean a meta engine. Ha.
RNZ: Saturday MorningEpisode: Kim Hill
Chris Szekely – Rahui and libraries
I like this and I have the book!
Ways of Seeing: The Art Criticism of John Berger
All the talks at the Chicago socialist conference are here. I like some of them.
Listened to this just as I was given this book
RNZ: Saturday MorningEpisode: Kim Hill Saturday Morning 19 May 2012
Art with Mary Kisler – Angelica Garnett
I like stuff about the Bloomsbury group. Bohemians.
I now have the Kindle Sample”
Mac Power UsersEpisode:
Mac Power Users 56: Mail
Very long and a bit boring but what a resource if you want to understand Mail on the Mac.
Posted a few on my other blog in the last week or two… on a theme – nature and how thinks relate to their past origins.
I am as it were in a slow almost imperceptible meditation on the word “inevitable”. The art of finding a way through the maze of the possible. Certain turns forfeit possibilities but open others. Beed reading E O Wilson on all this. Pigs can’t fly.
Just exploring a few rethinks I don’t understand…
“By answering the question concerning technology with a sensuous mimetic account of presubjective embodied agency, Benjamin opens a path that can help technocultural critics dispel their residual (and, as I have argued, largely unthematized) commitment to representationalism.
From the Wikipedia page on Tonino Griffero
Whereas Heidegger’s moods always presuppose a subjective response, we see atmospheres (in this provocative, anti-subjective sense) not as internal feelings of an individual or metaphors but as pre-subjective feelings, as spatially extended emotions.
I can’t yet make sense of that.
Mimetics seems to relate to Dawkins memes – see Wikipedia but the idea I’m pursuing here is more related to…
In ancient Greece, mimesis was an idea that governed the creation of works of art, in particular, with correspondence to the physical world understood as a model for beauty, truth and the good. Plato contrasted mimesis, or imitation, with diegesis, or narrative. After Plato, the meaning of mimesis eventually shifted toward a specifically literary function in ancient Greek society, and its use has changed and been re-interpreted many times since then.
This is interesting too…
The Frankfurt school critical theorist T.W. Adorno made use of mimesis as a central philosophical term, interpreting it as a way in which works of art embodied a form of reason that was non-repressive and non-violent.
Benjamin was of that school, was he not? Makes me think the opening quote really should read Mimesis.
This exploration stems from reading an interview in Mousse magazine 34 with Amy Balkin
atp: Are you also interested in the pre-subjective and in rendering it transparent?
ab: Yes, I’m influenced by how Philip K. Dick’s characters build models or prefigurative spaces. These can be nostalgic, like Dick’s “babylands” of the super-rich, who build and curate satellite demesnes to mimic a specific lost place and time of their childhood (e.g. Washington, D.C. in 1935), or the miniaturized “layouts” of off-world settlers forcibly evicted to colonize Mars, where a proxy experience of a day out in pre-climate change San Francisco is accessed through drug-enhanced “translation,” but experientially structured by the interior decor of a miniature home layout.
“A model provides a vision to inhabit, whether for a desired political future or a nostalgic past, or some combination of these—a form of continuity. So the pre-subjective could be about the possible experience of a future loss of the familiar via climate change—familiar birds and plants,
landscapes or food, or the familiar in terms of ideas of shared spaces or notions of experiential commonality, whether as a park or some formulation for an equitably shared space. So perhaps the question for me would be about a commons as a way forward versus nostalgia for a kind of shared land and resource use that was historically situation-specific.
This makes more sense, but I’m still not really a member of this discourse domain.
Was that story by Philip K Dick the basis for True Lies? No, I think the reference is to Now wait for last year but is could have been, seems like they pinched a few ideas. And they did use a Philip K Dick story for the other Arnold Schwarzenegger movie Total Recall. Perhaps the novel and the short story have a similar theme.
The following serendipitously found its way here…
Part of recent explorations in In this moment… my art blog
When I finished my ThousandSketches project I wanted to continue making sketches and blogging them. I created In this moment… My art blog In addition to my sketches I added thoughts about art, and a lot of links to art I like and bits of info about artists.
But really it is all Psyberspace! I may as well put it all here. Maybe I could just use ifttt to create links here when I post something on In this moment…. I’ll try that.
Yes that works! The test post actually appears before this one.
If Apple made a car would it have wheels like this?
Skeuomorphic thinking may work on occasions but on the whole it is bad. Fake spokes.
Like the fake leather in apple apps. Ugh.
The calendar app does it right on the interface, it tells me it is Wednesday 25! Just right.
Jobs invented the “desktop” metaphor (Or so its said), it is a guide in a place where nothing is real.
How and where to share photos remains a problem IMO. Flickr is rather wonderful but it is in the hands of yahoo, which is a gross company. I’ve hated them ever since they bought egroups and messed them up.
I have never managed the WordPress upload system well, perhaps that would be ok, but it is nice to have all my pix on a photo site that is social and public, yet not the blog. Zenphoto was ok, I had a series of rather nice albums. But it got out of date and let in the hack attack perhaps. Hard to maintain. There is a lot to be said for Flickr – WordPress, Facebook, twitter integration, slideshows, email sharing etc
I’ve been linking the earthquake with Medusa. For some she is so frightening with her head of snakes that they turn to stone if they look.
Like this one by Jonathan Ewart