Whew. I’ve just restored it from a backup. I did loose about 5 posts.
I’ve also lost some widgets it seems, my photos don’t turn up, and the carefully constructed top of the sidebar is not there. Damn
Whew. I’ve just restored it from a backup. I did loose about 5 posts.
I’ve also lost some widgets it seems, my photos don’t turn up, and the carefully constructed top of the sidebar is not there. Damn
What pattern connects the crab to the lobster and the orchid to the primrose and all the four of them to me? And me to you? ”
–Gregory Bateson
Listened to a wonderful podcast http://www.futureprimitive.org/2011/04/nora-bateson-the-pattern-that-connects/ today Nora Bateson about her movie http://www.anecologyofmind.com/index.html
Listened to F. David Peat on Future Primitive. I liked him after a while. Student of David Bohm.
His central metaphor (from item below):
In terms of social or economic systems, action would emerge out of the natural dynamics of the whole system, arising in a highly intelligent and sensitive way and consisting of small corrective movements and minimal interventions. Rather than seeking to impose change externally and at some particular point in a system, gentle action would operate within the dynamics and meanings of the entire system.
As usual made me wonder why he had not taken on board Marx on these questions. The system is biased, not natural.
Found this item: Gentle Action_Surviving Chaos and Change.pdf
Later: Friday, 20 May, 2016
Listened to a podcast about Hannah Arendt Partially Examined Life
The social in here schema is natural, not political which distinguishes us from animals. Bohm may have the same idea.
Not sure I’ve got it but the whole episode is interesting on social roles.
Misses the idea of “bringing your self into a social role”??
I found this in a free email from Philip Pawson – Alexander Technique teacher. I find it very compelling.
It doesn’t matter how skilful you are. Bend a bent piece of wire to straighten it and you’ve got an extra kink in your piece of wire.
If you bend a young tree over, it gives. It bends supply and pliably. It makes no attempt to keep straight.
But stop bending it and, suddenly, it’s straight again, swaying effortlessly in the breeze.
I was stimulated today by three thoughts coming together.
I’ve been keen on the Alexander Technique in the last few days. Sore back, and also watching my son josh with a crippling sore back has led to a renewed interest in this approach. I’d read the book by F Matthias Alexander (Wikipedia) in the early ’80s. It got me to walk without a limp after an accident.
The aspect of the philosophy on my mind today was what they call “end-gaining” ie focusing on the goal or outcome rather than the process. Yet the method certainly has goals; reduction of pain, better performance, less stress, productivity. Like much of the method, it’s a bit paradoxical. The couple work I do with clients involves slow conscious dialogue: I say slow is fast. It is a bit similar. I use the phrase “goal shadow” to describe the negatives of being too outcome focused.
This was on my mind when I heard the phrase “holding the intention” in relationship to art. That puts the same idea in an active way, rather than not “end-gaining”, hold the intention. Intention is significantly different from goal, purpose or solution, not much but enough to give me a whole new feel, there is no sharpness in it, it is soft focus.
The third thing was reflecting on the sacred space of the therapeutic hour. How framing the work in an hour created a holding space. (Lacanians may differ). I think of that hour, the psychodrama stage, the Imago dialogue and the canvas of a painting, as alchemical vessels within which transformation can happen.
Then it occurred to me that intention far from being a wishy-washy thing could be an alchemical vessel. Holding the intention creates a space in which the intention is held, a space for the work to cook through all its stages. I like it, it complements GTD.
Later:Changed the title from vessel to crucible, and noticed how firmly this related to an earlier post. Being & Doing.
Ok, big pharmaceutical companies are not picking this up, but surely if there is something in it, some sort of open source thing would do the trick? Kickstarter? And if the FDA wont approve it, there are other countries who will, surely?
socialscapegoat.com » DCA Cancer Cure?:
DCA Cancer Cure? Posted by Claire Connelly in Technology Leave it to pharmaceutical companies to prioritise profit over curing the second leading cause of death in America and third leading cause of death in Australia alone. Dr. Evangelos Michelaksis discovered that Dichloroacetic Acid (or DCA) – an odourless, colourless, inexpensive, relatively non-toxic, small molecule which was once used to cure rare inherited metabolic diseases, could potentially be used as a non-invasive cancer cure that has zero side effects. When he added it to the water of mice and rats who were given human cancers, Michelaksis found that over a period as short as three weeks, the cancer growths had shrunk by up to 70%. Unfortunately, because DCA isn’t patented, the pharmaceutical companies have no interest in producing the drug:
Went to the apple store in San Francisco today and heard iPad artists talk about their medium. I particularly liked the work of hgberk in flckr There is also a show on in San Francisco I might try to get there next Tuesday.
Future/Canvas – the emerging medium of ipad art:
It has been just over a year since the release of the iPad and already it has inspired an exciting new world of digital art. Artists and programmers are using the iPad as a digital canvas and are creating radical new artwork that pushes the bounds of imagination. Future/Canvas showcases a variety of different artistic pursuits involving the iPad from interactive art to photography to painting. Taking place during the Apple World Wide Developer Conference, this is a must-stop destination for iPad enthusiasts who are interested in art. The original Future/Canvas was the first ever multiple-artist iPad art show held in December 2010 at The Box Factory in San Francisco. Our goals is to encourage the creation of iPad art by bringing together the diverse range of people necessary to create it in an environment that demonstrates the possibilities of the medium.