Cybertime

Cybertime
Meg Hourinan in O’Reilly Network: What We’re Doing When We Blog [Jun. 13, 2002]:

What distinguishes a collection of posts from a traditional home page or Web page? Primarily it’s the reverse-chronological order in which posts appear. When a reader visits a weblog, she is always confronted with the newest information at the top of the page.Having the freshest information at the top of the page does a few things: as readers, it gives a sense of immediacy with no effort on our part. We don’t have to scan the page, looking for what’s new or what’s been changed. If content has been added since our last visit, it’s easy to see as soon as the page loads.

Additionally, the newest information at the top (coupled with its time stamps and sense of immediacy) sets the expectation of updates, an expectation reinforced by our return visits to see if there’s something new. Weblogs demonstrate that time is important by the very nature in which they present their information. As weblog readers, we respond with frequent visits, and we are rewarded with fresh content.

Cyberspace is what we called it but cybertime might have fitted as easily. Space is shrunk so we have a global village (perhaps) and time has altered the notion of now. It has altered it to the extent that we have to use words like “real-time”, synchronous, asynchronous. The passage by Meg Hourinan draws attention to this simple phenomena, the use of time… not unexpectedly in web logs. Yes the content is “fresh” or stale… but a strange thing happens, by logging it old content becomes fresh. I think so anyway. I often log old items here, because I think they are still fresh. Sometimes because they are particularly old, like my notes on Huxley’s Crome Yellow. The asynchronous nature of email and web groups is a way that the now has stretched. But for it to be experienced as a stretch we need to see the date. This dating of items is needed so we can get the timing right on the wave we are surfing. Dating items on the web was there from the early days with the conventional Last Updated line at the bottom of the page. With weblogs it has promoted itself to the top. Hmmm, as in newspapers, hence the weblog is more like journalism. Journals too have dates. Rebecca Blood mentions

In early 1999 Brigitte Eaton compiled a list of every weblog she knew about and created the Eatonweb Portal. Brig evaluated all submissions by a simple criterion: that the site consist of dated entries. Webloggers debated what was and what was not a weblog, but since the Eatonweb Portal was the most complete listing of weblogs available, Brig’s inclusive definition prevailed.

All this is of particular interest in that it echoes what happens in the psyche. From the outside it looks as if people in therapy are examining the past, but that is not so. What they bring to a session is “fresh” — because they brought it! And why? Because the pattern of the past will be repeating in the present and the pattern is the interesting thing. Patterns of the soul – archetypes – are worth catching. To be fully there – the ‘past’ also needs to be time-stamped — it is impossible to imagine a specific feeling without a specific moment (or span of them). The underlying pattern is outside of time. Fits with the idea that the soul is eternal. e-ternal, not a reference to the e words but just wondering if it means outside of time?

Psychological truth

Guardian Unlimited Books | Review | Scientist or storyteller?

Philosophies that capture the imagination never wholly fade. From Animism to Zoarastrianism, every view known to man retains at least a few devotees. There might always be Freudians, and there will always be admirers of Freud’s great imaginative and literary powers; these two, as the foregoing remarks suggest, are intimately linked. But as to Freud’s claims upon truth, the judgment of time seems to be running against him.

Nah! Truth is not as simple as it looks in this review. Psychological truth is hard won… vampires do not exist so how do we examine them and even more importantly slay them? This is bread and butter stuff for a psychotherapist.

Conversation with Daryl Sharp sorted by thread

Conversation with Daryl Sharp sorted by thread

a discussion of C.G. JUNG: HIS MYTH IN OUR TIME with Daryl
Sharp, the General Editor of Inner City Books: Studies in Jungian
Psychology by Jungian Analysts. Daryl is responsible for re-issuing Dr.
Marie-Louise von Franz’s book which was originally published in German in
1972 and in English in 1975.

Later, June 2007:

Unfortunately the link does not work anymore – what about the web archive?

Yes!

Halfway between the poem and the paramecium

The dream is halfway between the poem and the paramecium. Like the paramecium, it is a product of nature, created not by man’s will. But like the poem, it is a product of art, dependent upon man’s imagination.

-James Hillman

Words, like angels, are powers which have invisible power over us.
– James Hillman

Art, the Net, the collective unconscious

Shakespeare’s Royal Self

by James Kirsch, M.D.

The root of all neurosis is the refusal to accept conflict consciously; once an unconscious conflict becomes conscious, it is no longer neurotic and neurotic suffering is replaced by authentic suffering, which brings about the healing of neurosis

This is by Ediger – found it in my old EditThisPage Weblog File (will post that up soon.) I like the quote and did a search for it, but only found my original post. PLUS other nice stuff.

Particularly the item linked here by James Kirsch. The cgjungpage is such a great resource! What struck me most was the quote from Jung. I am relating this to my earlier posts re Hillman and also to the nature of the NET.

The Net is an expression of the collective unconscious – like all great art. That is a BIG idea.

Art, by its very nature, is not science, and science is essentially not art, both provinces of the mind, therefore, have a reservation that is peculiar to them, and that can be explained only from themselves. Hence when we speak of the relation between psychology and art, we are treating only of that aspect of art which without encroachment can be submitted to a psychological manner of approach. Whatever psychology is able to determine about art will be confined to the psychological process of artistic activity, and will have nothing whatever to do with the innermost nature of art itself.

What contribution can analytical psychology make to the root problem of artistic ‘creation,’ that is, the mystery of the creative energy? . . . Inasmuch as ‘no created mind can penetrate the inner soul of Nature,’ you will surely not expect the impossible from our psychology, namely a valid explanation of that great mystery of life, that we immediately feel in the creative impulse. Like every other science psychology has only a modest contribution to make towards the better and deeper understanding of the phenomena of life, it is no nearer than its sisters to absolute knowledge.

C. G. JUNG

Archetypal psychology

Archetypal Psychology

Archetypal Psychology is . . . an innately diverse and complex style of psychological imagination. It can be seen as a broad, cross-cultural movement whose main thrust is to grant “psyche” or “soul” its legitimate place in modern cultural imagination.

OK. That fits.