Psyche, role relationships & the relational paradigm

This relational paradigm changes everything.

This post follows an earlier one: Psychological Eclecticism and Nothing And that posts is part of a series on a theme – that the psyche is a form of surplus reality created by language. This relates to the relationship between modalities, each one a shining a light on something ephemeral, the psyche.

However I’ve evolved my thinking. The language must be co created and that act transforms the relationship.

Naming roles has a measure of objectiviy when there is a consensus, but to reach that consensus means we really need to understand each other.

No role naming without role reversal.

I must tell the story of the High Priestess of Abundance.

From Eclecticism to specialisation and beyond

Just deleted this from a paper I’m writing where it is not relevant. But I want to keep the paragraph.

Years of involvement in psychodrama equipped me well to work with couples. However in the last decade or so I found myself doing more effective work helping people learn the art of loving as I learned from other modalities. Much reflection and exploration in practice led me to a new understanding of psychodramatic relationship therapy. Through engagement with Imago I learned to love and understand psychodrama afresh. (Logeman, 2009) How can we as psychodramatists best think of our relationship with other modalities? I have rejected eclecticism as it leads to a loss of focus. Marriage or integration does not for philosophy. I have tried translation; I challenged myself to use psychodrama concepts to make sense of what I have learned by being eclectic, but that does not honer some views and practices that simply are not present in psychodrama. I am satisfied to think that psychodrama can be enriched. Psychodrama has cosmology and a holistic view of human nature. At heart it is a theatrical method and anything can be put on the stage, including new ideas and methods.

Reclaiming Conversation

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photo jeanbaptisteparis

How Smartphones Are Killing Conversation

A Q&A with MIT professor Sherry Turkle about her new book, Reclaiming Conversation. – Amazon

Sherry Turkle has been a thorough investigator of the media – and I like her experiential – ethnographic approach in her first book Life on the screen – Amazon

We are in the early days of technology. Can we develop etiquette – a new norm in the way we have about things like eating with your mouth full. Will parents say, “Don’t put your phone on the table while we are eating.” ? It could happen. We changed norms around smoking. Around sexism. This interview begins to articulate new norms without being anti tech,

Guide to blog posts about encounter

Here are links some blog posts on encounter, including relationships, dialogue and the relational paradigm. I’ll keep adding to the list, there are plenty more not yet summed up. The idea is that I can see a brief summation, not avilable in the usual searches. They are in chronological order (latest on top).

Creativity Encounter June 27, 2009 – Added material Sunday, 6 December 2015
This is worth emphasising: relationships produce creativity. I added a bit today about the purpose of dialogues – when what is indicated. This can be distilled for the encounter manual (work in progress).

Doubling, Spontaneity, Creativity and Encounter December 1, 2015
This has a link to a short article I wrote – here is the link again: Article in docx format

Evolution and human behaviour and culture. December 21, 2014
This is the one with the long list of books to read, many relating to love & marriage. It has the hypothesis on evolution.

★★★★ Zerka Moreno on Doubling and Tele September 10, 2011, with updates on Saturday, 6 October, 2012 and
Sunday, 29 November 2015

This is the post I was looking for when creating this guide. It is not from Moreno but Zerka. “the space between people, that is the foundation of his and our work.” Quite a summation! It is also the one on difference between empathy and doubling.

History of the Relational Paradigm October 12, 2012
It is really a few thoughts and quotes about Jung’s participation mystique.

Creativity Encounter June 27, 2009 – Added material Sunday, 6 December 2015
This is worth emphasising. I added a bit today about the purpose of dialogues – when what is indicated. This can be distilled for the encounter manual.

Coevolution, invention, creation of the psyche – the relational paradigm October 7, 2012
Coevolution is a profound idea, and I quote a few sources on this.

★★★★The Locus of Therapy – Moreno April 18, 2009
Ah this is the one I was looking for – confirms the Zerka post above, I was looking for both of them! Long Moreno quote – excellent on relational paradigm.

Hippocratic oath will have to be reformulated

In a particular group a subject may be used as an instrument to diagnose and as a therapeutic agent to treat the other subjects. The doctor and healer as the final source of mental therapeusis has fallen.

Encounter, Buber & Moreno April 11, 2009
A couple of paragraphs quoting Marineau

Roles Create Roles

“a role is the functioning form the individual assumes in the specific moment he reacts to a specific situation in which other persons or objects are involved” (Moreno, 1977, p IV)

Lets take a list of roles, these are from Max Clayton’s article (Clayton, 1994),  it is a convenient list, and it is the one that got me to think about this:

Artist
Playful fun-lover
Coach
Companion
Adventurer
Manipulator
Teacher
Despairer
Self-doubter
Guard
Frightened, abandoned orphan
Anxious and suspicious fantasiser
Angry controller
Condemning critic
Friend
Father
Good listener
Lover
Perfectionist

For each of these there is as Moreno puts it: “a specific situation in which other persons or objects are involved.” We can grasp the role it is possibly in relation to from the role.

Artist
Playful funlover
Coach
Companion
Adventurer
Manipulator
Teacher
Despairer
Self-doubter
Guard
Frightened, abandoned orphan
Anxious and suspicious fantasiser
Angry controller
Condemning critic
Friend
Father
Good listener
Lover
Perfectionist
Art Audience Muse
Playmates
Trainee
Companion
Mentor
Sucker, victim
Student
Stubborn controller
Critic
Invaders
Absent Parent, Threatening bully
Challenging person or situation
Helpless follower
Self doubter
Friend
Child
Speaker
Lover
Slob

Creating Change in a Role Relationship

These role pairs will change as one of the roles changes:

The teacher can’t teach without the student

Lovers need lovers

If the manipulatee ceases to be duped and becomes assertive the manipulator can’t manipulate.

If there is no speaker, become a good listener.

If there is no artist, become an appreciative audience and contribute materials

Be loving and love may come your way.

Stop criticising, appreciate and praise and you won’t be with a self-doubter for long.

Role relationships

There are different types of role relationship. Max talks of complementary roles and symmetrical roles.

“The diagrams made it easier to be aware of the complementary and symmetrical role systems that developed with other people and of the fact that there was an increase in complementary role relationships. As ability to analyse, plan and enjoy life came to the fore, so those roles pertaining to intimacy increased. There was a welcoming of closeness and an interest in complementing what others were doing. The aggressive approach to others diminished and along with this a lessening of symmetrical role relations and of the competitive dynamic that is associated with these. There was also a development of a real sense of being a role creator. Previously there had been much more of a sense of being a mundane person. A look at the diagrams also confirmed the ability to create forms of expression through which life purposes could be fulfilled. The experience of being a role creator was accompanied by an increase in motivation.”

An example of complementary role might be speaker / listener – and this would increase intimacy, as max suggests.

Symmetrical roles can escalate and be competitive e.g. Talker / talker can become shouter / shouter.

But some symmetrical roles can be intimate lover/lover gardener/gardener

Google search found the book online Note: I have a physical copy.

References

Clayton, G. M. (1994). Role Theory and its Application in Clinical Practice. In P. Holmes, K. Karp, & M. Watson (Eds.), Psychodrama Since Moreno (pp. 121–144). London: Routledge. Retrieved Tuesday, 9 February, 2016 from aanzpa.org
Moreno, J. L. (1977). Psychodrama Volume One (Fourth ed.). Beacon, New York: Beacon House.

Doubling, Spontaneity, Creativity and Encounter

Just added this to my Writing page.

Doubling, Spontaneity, Creativity and Encounter (docx) — Out of date (Saturday, 7 May, 2016)

Now working on a draft here in Google Docs

This is an article I’ve been working on since I presented something along these lines at 2014 AANZPA conference.  Its about the value of doubling what is adequate in the protagonist. Doubling is not coaching, but assisting the protagonist to say what is in them in a way that it can be heard.

It takes further the ideas I came away with from the Dan Wile workshop. He says something like this: I assist the couple to heave the conversation they would have if they were not fighting.

See additional notes from 6 October 2012 Zerka Moreno on Doubling and Tele

Varieties of Encounter

Facilitating interaction was the dictum I used for the first couple therapy I did. I recall, as an untrained social worker in a hospital being asked to work with a couple who had difficulties. The night before I read a gestalt based book on couple therapy and facilitate interaction was the central practical guide I took away. I could have done worse.

I have written on dialogue and encounter in the AANZPA Journal more recently: The Imago Affair. Let me quote a relevant chunck from that paper as I wish to further reflect on encounter.

Encounter

At their heart, both Moreno’s and Hendrix’s work go beyond technique and are an invitation to a profound experience. The aim of a dialogue is not a specific outcome, nor is it reliant on one method. Here is the section of Moreno’s well known poem that encapsulates the idea of encounter.

A meeting of two: eye to eye, face to face.
And when you are near I will tear your eyes out
and place them instead of mine,
and you will tear my eyes out
and will place them instead of yours,
then I will look at you with your eyes
and you will look at me with mine.
Moreno

Harville Hendrix introduced the validation step into the Imago structure with an eye to facilitating just such an experience. It is often taught as understanding or making sense. The lead-in line goes like this: “You make sense. And one thing that makes sense is…” The listener is invited to cross a bridge into the world of the other, and to see what they see, and feel what they feel in that world. Note the similarity to Moreno in Hendrix’s idea.

Buber clarified for me that a “Thou” relationship with others required honouring their “otherness” as an “I” distinct from me and any concepts I might have of them. This required a willingness to look at the world of another through his or her eyes.
Hendrix

Linger on the moments of connection described here:

I will look at you with your eyes (Moreno)

look at the world of another through his or her eyes (Hendrix)

Are they the same?

Both Imago and in the work of Moreno there is the idea of a special meeting. Not just any meeting, but something profound, where you become the other…

How to facilitate, or operationalise encounter is different in the psychodramatic sphere than in the I Imago sphere. They use different contexts for their techniques as well, psychodrama: the stage. Imago: the couple in dialogue and Hedy Schleifer has a variation:  Host / Visitor to the other’s world.

There are techniques/concepts in these modalities that are sometimes akin, but differently nuanced, and sometimes unique to the method. There are other modalities and have techniques for interaction, of importance is the variation of Imago developed by Hedy Schleifer and her husband, and the work of Dan Wile.

My friend and colleague Dan Randow and I are working on describing the varieties of techniques for encounter. Here is a beginning.

Here is a list of techniques/concepts:

Doubling: in Psychodrama

Mirroring — Psychodrama

Role reversal — Psychodrama

Doubling in Imago:  Related to the use of lead-lines

Doubling in Dan Wile’s CRT

Mirroring in Imago

Validating,  Imago

Empathy as used in Imago

Dialogue (Imago)

Host, Visitor (Hedy Schleifer)

 

Notes:

How does role reversal relate to encounter? In role reversal and in doubling you become the other to the best of your ability. You take the physical position of the other, quite literally in role reversal and by being alongside and slightly behind the other when doubling.

Is it useful to distinguish the inter-psyche from the intra-psyche; what goes on in our subjective world and what goes on between us?  Maybe sometimes, all these encounter processes aim at improving the relationship and healing and growth of the individuals at the same time.

 

 

“Origins of Encounter and Encounter Groups” by J.L. And Zerka Moreno

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I managed to get hold of a monograph, Origins of Encounter and Encounter groups. (Moreno & Moreno, 1970). It is a stimulating read. I have just created three separate posts.


Balancing openness with the integrity of the psychodrama method.

Moreno and social science
This monograph has a concise statement that I have not seen before.

Encounter
This is obviously the main theme of the monograph. Useful. Encounter is so central to Moreno’s opus, but it has not been developed well in practice. It was railroaded by the ‘encounter’ movement.

Moreno, J. L., & Moreno, Z. T. (1970). Origins of encounter and encounter groups (Psychodrama and group psychotherapy monographs, no. 45). Beacon House.