Varieties of Encounter

Facilitating interaction was the dictum I used for the first couple therapy I did. I recall, as an untrained social worker in a hospital being asked to work with a couple who had difficulties. The night before I read a gestalt based book on couple therapy and facilitate interaction was the central practical guide I took away. I could have done worse.

I have written on dialogue and encounter in the AANZPA Journal more recently: The Imago Affair. Let me quote a relevant chunck from that paper as I wish to further reflect on encounter.

Encounter

At their heart, both Moreno’s and Hendrix’s work go beyond technique and are an invitation to a profound experience. The aim of a dialogue is not a specific outcome, nor is it reliant on one method. Here is the section of Moreno’s well known poem that encapsulates the idea of encounter.

A meeting of two: eye to eye, face to face.
And when you are near I will tear your eyes out
and place them instead of mine,
and you will tear my eyes out
and will place them instead of yours,
then I will look at you with your eyes
and you will look at me with mine.
Moreno

Harville Hendrix introduced the validation step into the Imago structure with an eye to facilitating just such an experience. It is often taught as understanding or making sense. The lead-in line goes like this: “You make sense. And one thing that makes sense is…” The listener is invited to cross a bridge into the world of the other, and to see what they see, and feel what they feel in that world. Note the similarity to Moreno in Hendrix’s idea.

Buber clarified for me that a “Thou” relationship with others required honouring their “otherness” as an “I” distinct from me and any concepts I might have of them. This required a willingness to look at the world of another through his or her eyes.
Hendrix

Linger on the moments of connection described here:

I will look at you with your eyes (Moreno)

look at the world of another through his or her eyes (Hendrix)

Are they the same?

Both Imago and in the work of Moreno there is the idea of a special meeting. Not just any meeting, but something profound, where you become the other…

How to facilitate, or operationalise encounter is different in the psychodramatic sphere than in the I Imago sphere. They use different contexts for their techniques as well, psychodrama: the stage. Imago: the couple in dialogue and Hedy Schleifer has a variation:  Host / Visitor to the other’s world.

There are techniques/concepts in these modalities that are sometimes akin, but differently nuanced, and sometimes unique to the method. There are other modalities and have techniques for interaction, of importance is the variation of Imago developed by Hedy Schleifer and her husband, and the work of Dan Wile.

My friend and colleague Dan Randow and I are working on describing the varieties of techniques for encounter. Here is a beginning.

Here is a list of techniques/concepts:

Doubling: in Psychodrama

Mirroring — Psychodrama

Role reversal — Psychodrama

Doubling in Imago:  Related to the use of lead-lines

Doubling in Dan Wile’s CRT

Mirroring in Imago

Validating,  Imago

Empathy as used in Imago

Dialogue (Imago)

Host, Visitor (Hedy Schleifer)

 

Notes:

How does role reversal relate to encounter? In role reversal and in doubling you become the other to the best of your ability. You take the physical position of the other, quite literally in role reversal and by being alongside and slightly behind the other when doubling.

Is it useful to distinguish the inter-psyche from the intra-psyche; what goes on in our subjective world and what goes on between us?  Maybe sometimes, all these encounter processes aim at improving the relationship and healing and growth of the individuals at the same time.

 

 

Small Graces: Mapping a Route of Beauty to the Heart of the World

 

Small Graces Mapping a Route of Beauty to the Heart of the World
by Jason Sugg
Submitted in partial fulfilment of the requirements for the degree of
Master of Arts in Counseling Psychology
Pacifica Graduate Institute
14 February 2012

Has a whole section on Participation Mystique and I-Thou.

Well researched.

Below is an enticing quote. The reason I’m attracted to this work is that I think that the very relationships we are discussing here, participatory, with the ego dropped, with heightened awareness of self and other, are also the relationships that are needed between therapist and client, and partners in a relationship. It’s not well grasped: they are vital to knowing each other. We can’t know others at this level of consciousness without participating in the relationship with full role reversal. Continue reading “Small Graces: Mapping a Route of Beauty to the Heart of the World”

Zerka Moreno on Doubling, Tele, inter-psyche, relationship

Still thinking about the interpsyche – and found this passage from Zerka Moreno in the Psychodrama Network News from the American Society of group Psychotherapy and Psychodrama 2005  I now see the difference between empathy and doubling. Doubling in its conception includes the relationship, it is not the intuition of the therapist directly but the voice of the interpsyche – the relationship between two people.

But there is another, more important, aspect of McGaw’s presentation. When he speaks about how his doubling with a protagonist is so often correct, he interprets this as due to his intuitive ability. When pressed by Rogers to explain it more specifically while speaking of his own power in that respect, he refers to it as his “empathy.” Unfortunately, he overlooks the contribution to the process by the protagonist, as if it all comes out of the therapist’s psyche, that of a single mind. By unfortunate I mean that this is just the area of Moreno’s contribution, namely to have pointed out that it is the interaction between people – tele – resulting in the “inter-psyche,” the space between people, that is the foundation of his and our work. This observation, more than anything else McGaw speaks of, tells me he has not really grasped Moreno’s message. It is our emphasis on the moment, the here and now, the spontaneity of the protagonist, the interaction of minds, that distinguishes our own field from that of individual psychology, a lesson we must never overlook.

Zerka Moreno makes it so clear psychodrama is a relational not an individual method.

Recently while teaching doubling it was clear the person was trying to think what the other person was thinking. Close, but not quite it. I said… let yourself be him, become him, breathe like him, sit like him, look at the world through his eyes and then voice what comes up, you won’t be guessing, you don’t have a choice about what comes up.

The doubling was then noticeably different even though not always exactly right.

__________________________________________________

Later: Saturday, 6 October, 2012

I’m now (post the Dan Wile workshop) thinking the phrase above, “you don’t have a choice about what comes up” is right, but not enough.

Many things will come up and it is useful to choose to voice those things that are progressive for the protagonist, such things as empathy for another person, declaring an inner struggle, claiming the validity of experience.

Judgement of others, blaming and self righteous anger may also come up. They could be ignored, but if they feature strongly they could be moderated with such phrases as: I know this is might not be easy for you to hear. I wish I had a way of expressing this more constructively. I have been sitting on this for a long time and my intention is to bring it out to improve the relationship.

Later: Sunday, 29 November 2015

…this is just the area of Moreno’s contribution, namely to have pointed out that it is the interaction between people – tele – resulting in the “inter-psyche,” the space between people, that is the foundation of his and our work.

This makes it so clear that Moreno had the relational paradigm, he did not call it that and he often slips into thinking of individuals, yet he is so instrumental in this as an influence on Buber and then Harville Hendrix and Hedy Schleifer.


Later, Monday, 30 October 2023

I’m not worried about the words empathy or doubling.  What matters is that it comes from the “interpsyche” – the “interaction of minds” that distinguishes “our own field from that of individual psychology.”

Ok, so it is a case of 1 + 1 = 1.     (the interpsyche)
How about 1 + 1 = 3, you, me and the relationship?

Its all a matter of degrees,
Throw in dialectics and emergent complexity.
Maybe add a bit of quantum.

Moreno would approve.

Be one with the other.  That’s doubling. We say “doubling” when we mean becoming one.

In classic doubling the double stands slightly behind, follows the breathing and body posture. And the double looks where the protagonist looks. Or is the protagonist avoiding looking?  The protagonist ( i.e. anybody) has a social and cultural atom  – they are never alone. The stage may be empty – but in another, surplus, reality the stage is filled with entities.  This is all there for the for the double/protagonist unity to explore.

Call it clairvoyance, tele-pathy, or by any name.  We need many names as there are varieties of interpsychic experiences.

Consider this an encounter between a couple facing each other:

Partner 1:  I imagine you might be feeling worried.

Partner 2: Yes, I’m  scared that nothing will come of it…

P1: I see… you are scared.

P2: Yes I’m  terrified to be honest.

P1: Terrified.

P2: Yes.

That may not look like magic but imagine a couple who never did this “I imagine…” thing.  How baren that would be. That step of imagination initiates a process of entering the interpsyche.

This example is classic Imago, and they call it empathy.

*

To put these reflections in context,  I looked for this post because I’ve offered to run a Theatre of Spontaneity session.

“The next Theatre of Spontaneity will be on Tuesday 7 November.
Walter will direct the evening on the theme of Empathy with a focus on empathy in organisations”

I was inspired to this by Dan who ran something like this on leadership.

 

 

 

 

 

 

 

 

Connected knowing and Role-Reversal

Imago World

A short article: Receiving Sexual Pleasure by Sylvia Rosenfeld, LCSW, again has that Imago reference to “connected knowing”:

The goal of Imago Relationship Therapy is to create the conditions in a relationship that will encourage positive change in partners. The right environment retrains the brain. The behavioral component of sex therapy does this as well. The integration of both therapies can help a couple move from “separate” to “connected” knowing. Dialogue and behavioral assignments, especially sensate focus, create the continual repetition, through words and actions that translate what their “brains” know to what their “hearts” know as well.

I just had a thought that this might be what Psychodramatists call “Role-Reversal” in a sense couples become more empathic as they dialogue, to the point where they have a knowing of each other that goes beyond empathy, they know so many of the dots that it is easy to fill in all the dots (if you get my drift). I can grasp these things more when I can relate them to my primary modality, that is where I learnt things in a visceral way.  In Psychodrama the role reversal is enacted where people literally change places and enact the role that the other had.  It is an important technique.  However it is also used as a way of speaking about an ability people have to step into the shoes of the other.  Again to mix modalities, someone with a narcissitic wound can’t role revers – that is the same wound.  It is also one of the latest stages of child development, and builds on other skills such as mirroring.

I heard about how in the grieving process for a miscarriage the parent role-reversed with the spirit of the child. They had named the unborn baby Martha. In the role reversal the child revealed many feelings and some gratitude for its brief in utero time on earth. She also made it clear that she did not like the name Martha & would they please change it. What sort of knowing is that!