Tidying up old documents — One Flew Over the Cuckoo’s Nest, Powerful, Bankrupt.

I used to get airmailed copies of The Guardian, a Marxist publication not to be confused with the UK liberal paper.  I saved a page from a 1976 copy.  I loved reading the movie reviews by Irwin Sylber.  Of course every movie was contaminated by capitalist ideology.  He was spot on.  I still think so.

I kept a review of One Flew Over the Cuckoos Nest (which I loved despite of its capitalist propaganda,  Kesey is still some sort of counterculture hero.)

Continue reading “Tidying up old documents — One Flew Over the Cuckoo’s Nest, Powerful, Bankrupt.”

Protagonist, group or leader centered psychodrama? Terminology

The term “group centered” is used in Australia and New Zealand psychodrama circles with respect to warm-up and also with respect to the drama itself.

Firstly with respect to the drama. I recall  Max Clayton’s teaching when the group was under the misapprehension that sociodrama was always group centred i.e. without a specific protagonist, and psychodrama always had a protagonist.  He then demonstrated a protagonist centred sociodrama, i.e. one based around the social roles in one person’s work situation.  On rare occasions, I have seen a group centered psychodrama, one that began as a sociogram.  An isolate emerged and the group then worked collaboratively with that person to include them.

With respect to warm-up, I am familiar with the usage where a “director directed warm-up” is contrasted with a “group centered warm-up”.

I have found a passage in “Who Shall Survive?” where Moreno talks about “centeredness.”  and his usage is a bit different.

 

I doubt that we would use “leader centered” for psychodrama.  If there is a psychodrama, then it is based on the group or the protagonist as the central focus.  Emergent psychodrama sounds interesting but is not related to this discussion as far as I can see.  I imagine all our groups are “group centered” in the way the word is used in the passage from “Who Shall Survive?” Even director directed warm-ups lead to group or protagonist centered psychodrama.

What has sparked my interest in this linguistic exploration is that I have been working with couples in groups in a variety of ways.  I want to use the words  “relationship centered psychodrama”.  I think there are many ways to be “relationship centered”.  I think more exploration is needed as being protagonist centered can run counter to the needs of a couple.  I am writing another post on relationship centered psychodrama as I research the variety of ways this can be done and also the way Moreno tackled this in the past.

 

 

 

 

 

 

 

 

Places — reflecting places in my life.

Just streets. But no, the place that evokes my childhood. Except for the cars it’s all the same. Oh and perhaps the skyscraper. I think as child there was just a field there and a circus tent used to be there.

96 Amstelkaade Amsterdam

 

The Amstel canaal across the road.

Lived there from 1944 to 1952.

 

Plan:  To add more crucial places in my life.  (I do continue these projects, but they may take years.

The Rime of the Ancient Mariner

I listened to the podcast and enjoyed it:

The Rime of the Ancient Mariner

Melvyn Bragg and guests discuss Coleridge’s poem of a grim voyage in which a sailor shoots an albatross and is forced to tell the story of his crime forever.

More info, but I wanted to see the Dore Images.  Here is one:

Wikipedia

The Rime of the Ancient Mariner (originally The Rime of the Ancyent Marinere) is the longest major poem by the English poet Samuel Taylor Coleridge, written in 1797–98 and published in 1798 in the first edition of Lyrical Ballads. Some modern editions use a revised version printed in 1817 that featured a gloss.[1] Along with other poems in Lyrical Ballads, it is often considered a signal shift to modern poetry and the beginning of British Romantic literature.[2]

 

https://www.poetryfoundation.org/poems/43997/the-rime-of-the-ancient-mariner-text-of-1834