Let’s do something crazy, Something absolutely wrong

Waiting For The Miracle

Have had this song in my mind since the Theatre of Spontaneity group on Tuesday.

That was the group theme, ambivalence, sticking with the known.

I love the verse:

Ah baby, let’s get married
We’ve been alone too long
Let’s be alone together
Let’s see if we’re that strong
Yeah let’s do something crazy,
Something absolutely wrong
While we’re waiting
For the miracle, for the miracle to come

 

Lyrics follow Continue reading “Let’s do something crazy, Something absolutely wrong”

Personal Development Evening with Walter Logeman & Kate Tapley

Just updated our Workshop page.  Adding it here in the mainstream!

Weekly on a Thursday 6:30 to 9:00
Term Three,  2021

Five Thursday Evenings in September — 2, 9, 16, 23, 30

Love. Living life to the full. Finding meaning. Global and spiritual matters. Conflict, grief and illness. Examine and be challenged by matters of importance to you in these evening workshops. You can expect to gain a deeper awareness of yourself and others. Learn to be spontaneous, courageous and effective in relationships. We will use psychodrama to explore themes relevant to you and the group. If you are in a couple relationship you are both invited to attend.

No previous group experience is necessary.

Continue reading “Personal Development Evening with Walter Logeman & Kate Tapley”

Protagonist, group or leader centered psychodrama? Terminology

The term “group centered” is used in Australia and New Zealand psychodrama circles with respect to warm-up and also with respect to the drama itself.

Firstly with respect to the drama. I recall  Max Clayton’s teaching when the group was under the misapprehension that sociodrama was always group centred i.e. without a specific protagonist, and psychodrama always had a protagonist.  He then demonstrated a protagonist centred sociodrama, i.e. one based around the social roles in one person’s work situation.  On rare occasions, I have seen a group centered psychodrama, one that began as a sociogram.  An isolate emerged and the group then worked collaboratively with that person to include them.

With respect to warm-up, I am familiar with the usage where a “director directed warm-up” is contrasted with a “group centered warm-up”.

I have found a passage in “Who Shall Survive?” where Moreno talks about “centeredness.”  and his usage is a bit different.

 

I doubt that we would use “leader centered” for psychodrama.  If there is a psychodrama, then it is based on the group or the protagonist as the central focus.  Emergent psychodrama sounds interesting but is not related to this discussion as far as I can see.  I imagine all our groups are “group centered” in the way the word is used in the passage from “Who Shall Survive?” Even director directed warm-ups lead to group or protagonist centered psychodrama.

What has sparked my interest in this linguistic exploration is that I have been working with couples in groups in a variety of ways.  I want to use the words  “relationship centered psychodrama”.  I think there are many ways to be “relationship centered”.  I think more exploration is needed as being protagonist centered can run counter to the needs of a couple.  I am writing another post on relationship centered psychodrama as I research the variety of ways this can be done and also the way Moreno tackled this in the past.

 

 

 

 

 

 

 

 

Interpersonal situation

 

At some point relationships become a “third entity”.

    • What is that point?
    • what is it’s social and cultural atom?
    • how can we concretise this 3rd?
    • how can it speak?

Moreno J.L. (1941) The Philosophy of the Moment and the Spontaneity Theatre. Sociometry May 1941 Vol 4