The way up and the way down are one and the same – Heraclitus |
I have these up somewhere from years ago, but I’m not maintaining that site.
Walter Logeman: Journal
We flee or fight to avoid pain. In psychodrama we call those ways of being the coping roles. The path to the progressive, being fully alive, is to be with the vulnerability of the pain and attend to it. This can’t really be done alone, yet no-one can do it for you.
This is a universal idea and present in many modalities.
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The title of this post comes from Hedy Schleifer’s ECcT – Encounter Centred Couple Therapy. On her website she says:
“I want them to leave knowing that the “survival dance’ that they have been dancing for such a long time is “not’ who they are in their essence.”
Continue reading “The Survival Dance that gets in the way of the Encounter”
The whole field of mental health, therapy, personal and family therapy is like a huge forest. There are the big trees that provide the canopy. Many species of those from very different families. Then layers of stuff that goes right down to the rare fungi and microscopic little weird things that are not even classified. Occasionally some hardy species will find its way to the sunlight above the canopy and bloom.
As part of the ecology of philosophies, methods, theories, schools and breakaway schools there are the regulating bodies, some governmental and some tied in with professional organisations. There are external factors influencing the cycle like in any ecosystem, education systems, insurance systems and political realities. Epidemics are not uncommon and the whole ecosystem is evolving, rapidly, fuelled by waves of things that go viral on the Internet, by marketing strategies and new inventions.
Is it just nature with everything in its own niche, something we can admire as mirroring the complexity of the human psyche? I think Jung said that somewhere.
Or is it a process which, on the one hand, is full of weeds taking us down false pathways towards violence and war or to isolation and continuation of madness and on the other hand there maybe species struggling to to survive that could be part of assisting humanity to survival. Are there some things that are more progressive than others?
The question is a bit like the debate about regulation and the market.
Who Shall Survive?
We binge watched Wild Wild Country with great interest.
I have been intrigued by Bagwhan since the 1980s. I went quite a few workshops in Freemantle, Western Australia… but never drank the cool-aid. No orange or mala. I knew there was controversy in Oregon. Just how awful it was is news to me. What went wrong? Guns for one thing. I hated that turn of events. Sheila?
I watched a short Osho video on YouTube and saw it clearly… Bagwhan is not really the problem as a person either… it is his philosophy!
What a lovely response to the journalists question “what is the purpose of all this?” Anything that has a purpose is mundane. His answer is really an deep reflection on ends and means. The philosopher shines thorough.
But there is an ugly side. He becomes a little scathing of the questioner. He is not “one of my people”. He is an outsider. And there it is, disdain for outsiders. With all the ‘enlightenment’ they could not relate to 50 locals. They took over that town in an arrogant way akin to the way those people had taken it from the native Americans. If they are not “my people” then they are not people at all.
That is the lesson for me in the whole thing… I know I can have that sort of disdain.
Wikipedia:
However, in the sixth Theses on Feuerbach (1845), Marx criticizes the traditional conception of human nature as a species which incarnates itself in each individual, instead arguing that the conception of human nature is formed by the totality of social relations. Thus, the whole of human nature is not understood, as in classical idealist philosophy, as permanent and universal: the species-being is always determined in a specific social and historical formation, with some aspects being biological.
This shows how Marx is not part of the individualism – not surprising as individualism is something that arises most fully in the capitalist era. The roots are there in Christianity and Buddhism. It is with Marx we see a shift in consciousness.
This is part of a current wave of meditation I seem to be going through on human nature. I’ve been stuck by the two essentialisms: Humans are inherently greed or inherently good. Marx’s idea is very freeing… Humans are a product of their social conditions. And it makes sense of his thinking that different classes produce different ideas. Ideas grow out of practice in social conditions.
https://www.thedailybeast.com/communism-and-fascism-the-reason-they-are-so-similar
This is such a flawed way of seeing it – Pinker!
Related:
Moreno – roles create the personality. (Lynette Clayton)
Hendrix – the self is born in relationship.
It also relates to “truth” we find it in the ‘theatre of truth’ – theatre is social. Esp psychodrama.
The Hero’s Journey Podcast‘s next effort will be The American President. I’ll watch it and make notes here, hopefully *before* they do the podcast. Watch this space.
This is the guide I use while watching:
Wednesday, 28 February, 2018
I’ve seen the movie and I’ve made some notes. I’m a bit sloppy as I did not like the movie that much.
Ordinary World
Day to day in th Presidents world – his life. His colleagues. The lobbyists. His daughter, dutiful dad.
Then there is a bit of a build up to election stuff – but that is ordiary for the President.
There is a call for the president to do the right environmental thing… he sort of refuses.
Then the soppsed “pitbull” comes on the scene Sydney Ellen Wade. The is on for an adventure and a fight for the environment.
But these are not the calls.
The call to Adventure
The call is that they fall in love. Well Pres. Shepherd falls in love and there is no refusal in sight… For a while. He pursues with gusto.. And she accepts his calls – litterally and as a hero. Both have ftiends alleies and enamies.
Love is the special world and they fall over the threshhold despite the threshold guardians each have. Is the dancing the moment they are truly in? Or the kiss?. Earlier really as the first whif of romance is in the air. So much for the pitbull.
Refusals
Then there is his refusal – he opts for the crime bill and not the environment. This cop out is also one where he refuses love. And his refusal here is matched by hers. “You have lost more than me, you have lost my vote.”
Seizing the Sword
But then in a speech to the world he accepts the call – the environment, even if he might not win her back. But she flies back faster than a speeding bullet. the adventure has gone on for a while so this might be more the seising of the sword.
He finally gets her roses and the elixer is true love prevails
And a big nod to liberal values.
Relationships, Romance and who is the protagonist?
I think they are both heroes, or maybe love is the protagonist. The trouble is that he is the main hero… He has all the power, it is a patriachal story. How might this have played out if it was not partiarchal? The relationship being the protagonist and each of them having a hero’s journey fully matched? It would be nice to speculate. Could it even be a romantic commedy then? I hope a much better one.
Are there any such dramas?
Reflecting on this it is clear that there are three elements in any relationship – each of the lovers, and the relationship. Each has a full life, i.e. the dramatic circle of the hero’s journey. Relationships are not 50/50. They are produced many 100% moments. How well can that be portrayed?
This question of how to put a relationship on the stage is a burning question for me!
I’m a fan. I get his newsletter and calendars.
Look at this beautifully crafted blog post. Inspiring in content and also in form. This would win a blog Oscar if there were one.
https://austinkleon.com/2017/07/13/want-to-be-an-artist-watch-groundhog-day/
Such a simple point. Do a little art everyday. Presented by a thousand art coaches, but here it is fresh and inspiring.
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Now on a more personal more. I committed to work on my art book 15 minutes a day in January. Managed that for about 28 of the 31.
At day 28 I got tired. But more than that I got stuck. I wish I’d read his post then, but never mind, back on the wagon.
The interesting thing is that the book is about the hero’s journey. If you read Austin’s post you will see that he does not like the word journey for the art process. Making art is not linear.
But then again there is a pattern.
Once you are in that “special world” there is really no turning back and going forward there are just tests and ordeals. Until you get through, till you are on the road back.
No way am I through with my project. I’m facing tests and ordeals. And here is a page I’ve got of just that.
This is reflexive moment on the journey. I’m illustrating the trouble I’m in. Back to groundhog day.
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BTW there are plenty of blog awards. One blogger of the year features the slogan Eat, Sleep, Blog, Repeat.
In 2012 I wrote this post:
https://psyberspace.walterlogeman.com/2012/why-do-i-have-two-blogs/
Indeed why do I have these two blogs – the other one http://www.walterlogeman.com/art is about art and art online. My art.
I’m thinking of importing that one into this one – but found it quite hard to do it. It is an identity thing. I’m more a psychodrama person than a Psyberspace person these days. Dropped psychotherapy online. But is it an art blog? I’m wring a book called D R A M A http://www.walterlogeman.com/art/new-art-project/
It is not that I’m importing one blog into another – I’m integrating two identities I have. I think it will be good for me!
Its done!
Some categories to fix, and that is it. ONE
Now what to call the site?
Psyberspace (that can stay) Walter Logeman’s Journal
And the details & history can go in the new About
Later Monday 29 Jan 18
Also found this on the integration theme
https://psyberspace.walterlogeman.com/2014/evernote-killed-my-blog/
Podcast: Speech Bubbles: Understanding Comics with Scott McCloud
Great. Inspiring. Here is the blurb
Cartoonist and theorist Scott McCloud has been making and thinking about comics for decades. He is the author of Understanding Comics: The Invisible Art. This classic volume explores formal aspects of comics, the historical development of the medium, its fundamental vocabulary, and various ways in which these elements have been used.
Scott McCloud breaks down some of the universals in comics and guides us through some of the comic books that pushed the art form forward. Then we use that lens to look at graphic communication in the world at large.
Just discovered Kōji. Wow. I love this stuff.
Click an image for the slideshow. Then X top right to get back here.