I have used Corel Paint, Photoshop, Deep Paint and may other programs but the most innovative and surprising is ArtRage 2. Just updated it today with an update and learnt about a new feature, or perhaps it was always there? I wish I knew about it when I was doing my Thousand Sketches . F5 turns the light on or off. I am not really blogging a feature. It is the concept behind the feature that interests me.
Have a look at this one from here :
Click for larger image.
This was done in Deep Paint, one of the best to achieve that 3d effect. That is what “Light on” does it creates a computer generated effect lighting up the brush strokes as if they had thickness.
Sometimes that is fun, but is it fake!
I think the use of 2D is just fine. It is 2D. Light of for authenticity.
Here is a quick go with light on and off, spot the difference?
More thoughts on space & 3d coming up.
I am still at it, not a project, no numbers, not a sketch blog thing, just a mood I was in and wanting to see this contrast, this line of light.
That last post is something I have been thinking about for ten years. Here is the proof, a proposal I made for a cybernetic conference in 1997, on the theme of Neccessity & Metaphor
Here is the relevant bit:
Possible theme of a paper could be the — Necessity and Metaphor. Contrary to popular belief ‘we can not think what we like’, words and metaphors have a power of their own. I would draw on the ideas of Jung and Hillman and relate it to metaphors of cyberspace. An example I am pondering at the moment is the word ‘depth’ — is the medium conducive to depth, or only breadth, and height?
So when I listen to Collings (see previous post) these old ideas are stirred. Perhaps proving that cyberspace doeas have depth, especially when old ideas can surface.
I listened to a podcast today for the second time – Kim Hill interviewing Matthew Collings. I realised I had blogged it before in Thousand Sketches, and there is a link there too – I recommend it.
If this is an age of shallowness then it is sort of deep to be shallow. Kim: “Shallow is the new deep”.
I don’t buy that though. It is an age where we are more conscious than ever and we flee. There are oceans of depth and we flee to the shallow. But not everyone. The “long tail” comes into play. At the top of the zeitgeist it may be shallow, ironical & tabloid, but down the tail it gets more interesting, there are activists, thinkers, and people having real relationships.
Anyway, it was a good listen even for the second time, happened cause I was cleaning up after re-installing a backup.
B/W Portraits Portfolio of Nigel Parry
I like to add in good B&W portraits from time to time. Nigel Parry does good ones! This one of Christian Bales is topical for me as I saw him do a good Batman and also watched a starved Christian in The Machinist, was it really necessary to be that thin? No doubt a great actor.
tags: portrait psyberspace b&w waltzzz christianbales psyche movies
Always keep Ithaca fixed in your mind.
To arrive there is your ultimate goal.
But do not hurry the voyage at all.
It is better to let it last for long years;
and even to anchor at the isle when you are old,
rich with all you have gained on the way,
not expecting that Ithaca will offer you riches.
Love this poem by Constantine Cavafy. Thanks Stephen, for sending it along a few years ago.
Continue reading “Ithaca”
”There is the world around us, a world of people, tactile sensation, and culture. There is the wired world, inside the computer, of images, personalities, virtual experiences, and a culture all of its own. The day after a classmate commits suicide, lain, a thirteen year-old girl, discovers how closely the two worlds are linked when she receives an e-mail from the dead girl: “I just abandoned my body. I still live here…” Has the line between the real world and the wired world begun to blur?
layer 03: PSYCHE
lain receives mysterious circuit called “Psyche” that improve functions of any type of NAVIs.
layer 04: RELIGION
lain is into remodeling her NAVI after getting Psyche. Outside of her room, the real world and wired world start mixing.”
I find it all intriguing, mainly because it is so psybernett-y and so matrix-y. ”Has the line between the real world and the wired world begun to blur?” What a nice question… and though it seems that it is treated literally here, as if the dead can email from the grave, the power of that notion is interesting. Like all stories, their truth is not related to what actually happened. The two headings, Psyche and religion – are just interesting.
Update: Later I return to this theme in my weblog post re Axis Mundi Plan. It comes up there because of the church thing they have going.
NY Arts magazine item by Scott Weiland
In Becoming Virtual: Reality in the Digital Age, Levy presents the notion that art virtualizes the virtual. That is, it is possible to become structured by those virtual aspects of the real which in their function bear agency upon us as objects. If it is possible to understand the virtual through media theory, it is the artist in Levy…
Somehow the soul has to be mediated. In that way it is like or is information. Art is one way and the NET is another – that may be a starting point for my essay!
Mona Lisa . [dead] . Now http://web.archive.org/web/20010222162001/http://studiolo.org:80/Mona/MONASV12.htm
“Most probably it was Sigmund Freud’s influential essay on Leonardo’s homosexuality and Freud’s consequential analysis of the Mona Lisa which was the direct or proximate impetus for Duchamp’s image. But, whereas Duchamp seems to imply that the picture fuses artist and sitter, male and female, Freud suggests that the Mona Lisa (specifically her smile) is a manifestation of Leonardo’s submerged memory of the birth mother from whom he was estranged at age four and who Freud theorizes expressed an unnatural affection toward her young son. In fact, Freud refutes the notion that there is a physiognomic similarity between the artist and the sitter, but goes on to suggest that the device of the smile was obviously so meaningful to the artist, using it frequently in his works of the time, it must have repressed significance. The person behind the Mona Lisa, Freud suggests, may have had such a smile, a smile that evoked long ago suppressed memories of his mother. Indeed, as Freud is quick to point out, this seems to have been a persistent theme: Vasari even noted that at the earliest age Leonardo was known for having created images of smiling women:
Let us leave the physiognomic riddle of Mona Lisa unsolved, and let us note the unequivocal fact that her smile fascinated the artist no less than all spectators for these 400 years. This captivating smile had thereafter returned in all of his pictures and in those of his pupils. As Leonardo’s Mona Lisa was a portrait, we cannot assume that he has added to her face a trait of his own, so difficult to express, which she herself did not possess. It seems, we cannot help but believe, that he found this smile in his model and became so charmed by it that from now on he endowed it on all the free creations of his phantasy.
“(Sigmund Freud, Leonardo da Vinci: A study in psychosexuality. tr. A.A. Brill. New York, Vintage Books,  Originally published by Freud in 1910, p. 79.)”
Books of the Month — Index
Janet Abbate, Inventing the Internet. MIT Press, 1999. Reviewed by Linda Baughman.
Peter Lunenfeld, Snap to Grid: A User’s Guide to Digital Arts, Media, and Cultures. MIT Press, 2000. Reviewed by Bryan Alexander.
Review Essay: Anthony Wilhelm, Democracy in a Digital Age: Challenges to Political Life in Cyberspace (Routledge, 2000); Elaine Kamarck and Joseph Nye, Democracy.com? Governance in a Networked World (Hollis Publishing, 1999); and Richard Davis, The Web of Politics: The Internet’s Impact on the American Political System (Oxford University Press, 1999). Reviewed by Philip Howard.
Three reviews, as regular as clockwork. Well maintained site. I get notified every time – see the spyonit link on the left.