I quite like ‘isms’. Got a new one today reading John Berger’s essay on Jackson Pollock (See also this post on Pollock):
Pollock was highly talented. Some may be surprised by this. We have seen the consequences of Pollock’s now famous innovations – thousands of Tachiste and Action canvases crudely and arbitrarily covered and ‘attacked’ with paint.
Berger, John (2014-09-07T22:58:59). Selected Essays of John Berger . Bloomsbury Publishing. Kindle Edition.
Bush Is one of my six life streams. Bush in Heathcote, Blue Mountains, Shoalhaven, Tasmania and Aotearoa New Zealand. And back to the Larapinta trail. And the mountains of New Zealand. I’m a bushwalker. It’s an identity I developed in my teens. It’s never gone away. I do more walking in the bush than is evident here. This walking, climbing, mountaineering, tramping, camping and travel aspect is huge in my life but minimal in this blog, as I championed the psyche in cyberspace.
Trees2 Queensland #0196 in http://thousandsketches.com
Trees Queensland #0195 in http://thousandsketches.com
Growing up on the edge of two national parks I had the years from 8 to 18 years walking, running in beautiful bush. And swimming in the hospitable creeks, surfing in the best beaches in the world. Then I left for teachers college in Tasmania, one big national park. After Tasmania, aged 22 I went on a world ‘working holiday’, but climbing and skiing kept me there then university marriage and parenthood. now in Aotearoa New Zealand still at 77 and almost part of the bush here.
Notice it was university as well that kept me here, part of another life stream I call Words.
“Marc Petitjean grew up in a house where Frida Kahlo’s painting, The Heart, also named Memory, hung on one of the walls. Uncovering the story of how the painting was given by Frida to his father, Michel Petitjean, he unfurls not only a passionate love affair between them in pre-Second-World-War Paris, but also a back story about Frida’s paintings around the time and the intersections between France’s surrealist circles and contemporary politics.”
Enjoying this half invented book with lots of name dropping of French artists in the thirties. Interesting. Here is the art in question
