Black & White Ink

Made these partly to experiment with printing. The printing on plain paper did not satisfy, commercial printing paper worked best. Even then, how to present these? So far I have four A5 portrait 148×210 prints with 90 mm square images. They belong together.

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Landscape

I have these in mind to experiment with in the printing. These are about how I want them to look, but I will try different plain paper, wartercolour etc, and use “vivid” versions to compensate for the absobtion. I might also try over printing.

And these might end up in my landscape presentation of prints in the usual way.

Landscape Pond
Larger Image.

Landscape Pond
Larger Image.

Boy

Boy
Larger Image.

I have been doing a lot of this sort of quick sketching in my sketchbook, as in physical book. But I like to play with that background!

More of these then? So much to learn! The line is not quite following its desire.

Leaves


Leaves
Larger Image.

Now this one grew out of the last one. One thing leads to another. But the process is not done. I can see this leading to more “design” style images, I am getting the hang of it and using a few new functions I am learning in the software (like copying a layer and then moving it slightly etc)

But what do I do, work on the bush or play more with designs? So this is what happens… a myriad of scrappy projects that I love doing… To be honest I think I will get there. Sooner or later I’ll get a series done and they will a unified life.
Earth Crosses got there, though there is a printing job to finalise there.

Next post, more moves into different directions.

Journal

I am searching for my (art) style. The Thousand Sketches was like a satellite view, a grand sweep of who I might be, a way of sorting land from sea.

I am searching by engaging in smaller projects. I can see where 5 years at university would come in handy though, this is hard work, time is only half of it. I have half a dozen scrappy projects on the go and need to wallow, play, explore, focus and get inspiration and tuition and critique on them all!

May be I need a better warm up. Yes I do.

How to engage the muse?

Maybe that is the title of the paper I am writing for the ANZPA Journal.

Maybe with that question in mind I might make sense of the following projects…

Where I am up to

Earth Crosses
in prints and also paint

Landscapes
A plan to produce a series of about 10 digital line & wash prints

Bush & plants
Like above, A plan to produce a series of about 10 digital somewhat abstract plant series
prints and have begun one in acrylic paint

Squares
I am aware I am drawn to the square format… the landscapes? Perhaps those prints need to be in three adjoining prints?

Presentation is on my mind, and I have just ordered 10 frames to work on a show of some sort.

Just as I want to focus on the above – and that is a lot of work! What happens: new styles emerge.

Let me post some in the posts ahead. Or would that be procrastinating?

Pattern

I am keen to see how these two look in the “viewer”. I completed the Green and then changed the hue. I think they might go well as a pair.

I was inspired to do these when I used a small 10×15 print of this one as a bookmark: Pattern (#0926 in Thousand Sketches)

Both digital images.

Later: Tuesday, 13 May, 2008 – added a few more.

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Strange Satisfaction

It is late, I am tired. I start on one more image before bed, and now there are three. More earth crosses. They satisfy me. They are a meditation. They a full of stories and moods, about the biggest things in life.

They truly are sketches as I am doing acrylic 600×600 earth crosses on canvas.

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