4 September 2018
Disturbed
the line is crossed
into the
special world
live this life
there’s no return
surrounded by enemies
lurking & pounding
& friends
with gifts
dark mystery
& promise
desperate odds
*
4 September 2018
Disturbed
the line is crossed
into the
special world
live this life
there’s no return
surrounded by enemies
lurking & pounding
& friends
with gifts
dark mystery
& promise
desperate odds
*
Found this poem on my computer. Wrote it a few years ago.
In fever
I’ve been
a machine
all night
See saw
jig saw words
tumble
& fall
to make an image
as they land
on sand
Truth is that
beauty
never sleeps
alone
Beauty lies
under a cloud
in darkness
rarely seen
Truth and love
live
side by side
with romance
out of sight
While you’re
asleep
we’re awake
& see the dream’s
a joke
We left the
car & caravan
in the
flooding stream
Retuned to
find a
baby on a horse
She looked
at us with
knowing
eyes
we played
our games
online
so lost
we could not find
the tokens
for the
times
Following on from the last post the idea of the primacy of the relationship is beautifully expressed by Edward Hirsh. This time in relationship to poetry.
In the last post with the passage from “A Bridge to Unity” the idea of participation mystique comes up in the context of shamanism.
Moreno’s tele however is universal it is not a special event – not shamansm or poetry. Tele is ever-present and the stuff we work with in relationships.
Edward Hirsh puts it beautifully though:
Continue reading “In the Beginning Is the Relation by Edward Hirsch”
A Valediction Forbidding Mourning.
by John DonneAS virtuous men pass mildly away,
And whisper to their souls to go,
Whilst some of their sad friends do say,
“Now his breath goes,” and some say, “No.”So let us melt, and make no noise,
No tear-floods, nor sigh-tempests move ;
‘Twere profanation of our joys
To tell the laity our love.Moving of th’ earth brings harms and fears ;
Men reckon what it did, and meant ;
But trepidation of the spheres,
Though greater far, is innocent.Dull sublunary lovers’ love
—Whose soul is sense—cannot admit
Of absence, ’cause it doth remove
The thing which elemented it.But we by a love so much refined,
That ourselves know not what it is,
Inter-assurèd of the mind,
Care less, eyes, lips and hands to miss.Our two souls therefore, which are one,
Though I must go, endure not yet
A breach, but an expansion,
Like gold to aery thinness beat.If they be two, they are two so
As stiff twin compasses are two ;
Thy soul, the fix’d foot, makes no show
To move, but doth, if th’ other do.And though it in the centre sit,
Yet, when the other far doth roam,
It leans, and hearkens after it,
And grows erect, as that comes home.Such wilt thou be to me, who must,
Like th’ other foot, obliquely run ;
Thy firmness makes my circle just,
And makes me end where I begun.
Source:
Donne, John. Poems of John Donne. vol I.
E. K. Chambers, ed.
London, Lawrence & Bullen, 1896. 51-52.
I like this poem by David Dominguez.
And I found images of the portrait, and the watermelon paintings as well.
Wedding Portrait
Yesterday afternoon, I hung a framed print in the living room—a task that took two head-throbbing hours.It’s a wedding portrait that we love: Frida and Diego Rivera.I wonder how two people could consistently hurt each other,but still feel love so deeply as their bones turned into dust?Before Frida died, she painted a watermelon still life;before his death, Diego did too.I want to believe that those paintings were composedduring parallel moments because of their undying devotion.If I close my eyes, I can see melon wedges left likecenterpieces except for the sliceDiego put on the table’s corner—one piece of fruit pecked at by a dovethat passed through a window.I know that I won’t be building a bookshelf anytime soonand that the chances of me constructing a roll-top deskare as slim as me building an Adirondack chair that sits plumb,but I’m good with the spackle and putty knives in my tool belt.The knots in my back might not be thereif I had listened to her suggestions,and I could well have done without two hours of silenceover a few holes in the wall.But somehow, life has its ways of working things out.This afternoon, I shut the blinds,turned off the TV, lights, and phone,and massaged my wife’s feet to fight off a migraine—her second one this week despitethe prophylactics and pain killers that we store in the breadbox.For once, I’d like to experience what she feels:nausea, blindness, and pain that strikewhen the cranial vessels dilate,fill with blood, leak, and make the brain swell.Earlier, an MRI triggered the reaction as it mapped her headwith electrical current, gradient magnets, and radio waveshammering her floundering eyes.For now, we have our room, the bed frame, and the mattresswhere she lies as I knead her toes.Come nightfall, I hope that we’ll sit in the patio and watchthe breeze stirring the lemon, lime, and orange treesthat I planted along the back fence.On certain nights, the moon turns our lawninto green acrylic where we sip Syrah and mint teauntil all we know is the soundof our breathing among the whispering leaves.
Continue reading “This is certainly not like we thought it was! – Rumi”
at klondyke corner
by the waimakariri
a slither of new moon
above the main divide
takes my breath
awakens a cry
Mary Oliver (Wikipedia)
The Summer Day
Who made the world?
Who made the swan, and the black bear?
Who made the grasshopper?
This grasshopper, I mean-
the one who has flung herself out of the grass,
the one who is eating sugar out of my hand,
who is moving her jaws back and forth instead of up and down-
who is gazing around with her enormous and complicated eyes.
Now she lifts her pale forearms and thoroughly washes her face.
Now she snaps her wings open, and floats away.
I don’t know exactly what a prayer is.
I do know how to pay attention, how to fall down
into the grass, how to kneel in the grass,
how to be idle and blessed, how to stroll through the fields,
which is what I have been doing all day.
Tell me, what else should I have done?
Doesn’t everything die at last, and too soon?
Tell me, what is it you plan to do
With your one wild and precious life?
~
The Kingfisher
Mary Oliver
The kingfisher rises out of the black wave
like a blue flower, in his beak
he carries a silver leaf. I think this is
the prettiest world–so long as you don’t mind
a little dying, how could there be a day in your
whole life
that doesn’t have its splash of happiness?
There are more fish than there are leaves
on a thousand trees, and anyway the kingfisher
wasn’t born to think about it, or anything else.
When the wave snaps shut over his blue head, the
water
remains water–hunger is the only story
he has ever heard in his life that he could
believe.
I don’t say he’s right. Neither
do I say he’s wrong. Religiously he swallows the
silver leaf
with its broken red river, and with a rough and
easy cry
I couldn’t rouse out of my thoughtful body
if my life depended on it, he swings back
over the bright sea to do the same thing, to do it
(as I long to do something, anything) perfectly.
(excerpt, East Coker V, Four Quartets)
Home is where one starts from. As we grow older
the world becomes stranger, the pattern more complicated
Of dead and living. Not the intense moment
Isolated, with no before and after,
But a lifetime burning in every moment
And not the lifetime of one man only
But of old stones that cannot be deciphered.
There is a time for the evening under starlight,
A time for the evening under lamplight
(The evening with the photograph album).
Love is most nearly itself
When here and now cease to matter.
Old men ought to be explorers
Here or there does not matter
We must be still and still moving
Into another intensity
For a further union, a deeper communion
Through the dark cold and the empty desolation,
The wave cry, the wind cry, the vast waters
Of the petrel and the porpoise. In my end is my beginning.
The whole Four Quartets follow
Continue reading “the world becomes stranger, the pattern more complicated”
Scott Hamilton interviewed on national radio re New Zealand poet Kendrick Smithyman
I enjoy Scott Hamilton’s Blog with its narrative posts, kiwi left leaning sensibility. This interview makes me want to read Kendrick Smithyman, sound like a worthwhile thing to do.
The poems are beautifully presented here http://www.smithymanonline.auckland.ac.nz/