The Dance

I’ve been overdoing my exploration about the “relational paradigm”. I’ve been reading, writing, integrating & putting into practice Imago & Psychodrama ideas about systems and the locus of therapy.

So I thought I’d give myself a break and read a thriller.

book


Blinded by Stephen White
, who I have read before & enjoyed.

I am only a few minutes into it and there are passages that stimulate me right back into my work passion, no rest!

I will quote them here and share my reflections.

Continue reading “The Dance”

Walter Logeman: Gallery – Outliers

I’ve done it. I have just put up a new display in in the

Walter Logeman: Gallery

I am highlighting 10 prints I have not really put on display before – they are all from the Thousand Sketches, but they have not been in other shows as far as I recall.

They are all different in style & media, but I think they are a unified collection as well. When I was gathering them up it was clear to me – though I can’t explain it – which ones were in, and which were out, maybe their simplicity.

Here are a couple from the set, the first & the last:

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This one is very early on in the Thousand Sketches – I recall thinking I can do a thousand in a year easily, I was churning them out in minutes. It proved more difficult of course!

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This one is a meditation on how in my birth year 1944 Lee Krassner was painting gray slabs and destroying them. Unconsciously doing a conceptual art work in tune with the holocaust deaths in Germany.

The Locus of Therapy – Moreno

When I was a social worker in the early ’80s and a person was waiting in the waiting room to see me, the receptionist would ring me and jokingly say your client system is here to see you.

Social Work has had a strong sense for a long time that the individual is always part of a system. This same systems theory was taught to me as being central to Psychodrama, specifically through an article by Lynette Clayton.

Recently I have read some good material in Imago Relationship Therapy : Perspectives on Theory, particularly by Randall C. Mason, Ph.D. who talks about the Relational Paradigm, and sees it as distinct from systems thinking.

I have been wanting to tie all this together, and Moreno’s contribution is significant. I love the way he sees the origin of our thinking of individual psyche ties in with the body as being the locus of treatment in medicine. What a fallacy it has been to continue to think like that in psychotherapy!

The opening of the Chapter on Sociometry in Psychodrama Volume one follows.

I’ve also added more notes on Sunday, 29 November 2015

Continue reading “The Locus of Therapy – Moreno”

Relationships

Three items from my notes from the Maya Kollman workshop:

You deny it, you marry it, you try to kill it.

We externalise our internal split, so we can see it and resolve it.

If I think I know you I have killed you.

Three relationship questions

Three questions to ask the couple to work on before they come to the first session:

  1. What would the relationship look like if it were working well?
  2. What are doing right now to prevent that?
  3. What do you imagine you could do differently?

(From the supervision workshop with Maya Kollman)

PSYCHODRAMA: What is it?

Here is a statement from the ASGPP, collecting these to help with the wording of a brochure I am writing for Supervision Training. The training will use Psychodrama as a training method.

asgpp.org

PSYCHODRAMA:

Conceived and developed by Jacob L. Moreno, MD, psychodrama employs guided dramatic action to examine problems or issues raised by an individual (psychodrama) or a group (sociodrama). Using experiential methods, sociometry, role theory, and group dynamics, psychodrama facilitates insight, personal growth, and integration on cognitive, affective, and behavioral levels. It clarifies issues, increases physical and emotional well being, enhances learning and develops new skills.

Eight primary emotion dimensions

wheel

By Plutchik

Figure 1.
Author’s three-dimensional circumplex model describes the relations among emotion concepts, which are analogous to the colors on a color wheel. The cone’s vertical dimension represents intensity, and the circle represents degrees of similarity among the emotions. The eight sectors are designed to indicate that there are eight primary emotion dimensions defined by the theory arranged as four pairs of opposites. In the exploded model the emotions in the blank spaces are the primary dyads—emotions that are mixtures of two of the primary emotions.

fractal.org

I have not read his theory. The chart looks useful, perhaps to assist people to put a name to a feeling. I’d like to see Anger as a different category of feeling. It is a feeling about a feeling. I wonder too if the beautiful symmetry here makes the whole thing look as if it has such a symmetry. I think of it all as more fluid, complex, subjective, mixed with sensation, habit, wounds and training.