Telephone brings back drawing – Hockney

Hockney is making iSketches! Great.

Here he is in one of my digital efforts!

This is one of his iPhone images. Found it here, plenty more there.

Later:
OOOpsss! Apparently these are not iphone but done on a tablet.

There are several drawings of Hockney’s brother, Paul, and his sister, Margaret; and in each picture the subjects seem mesmerised by a small gadget in their hands, which turns out to be an iPhone — Hockney’s latest enthusiasm: “Yes, my brother and sister sat there for three or four hours, totally engrossed.” Hockney is thrilled that he has finally persuaded Celia Birtwell to buy one so that he can send her pictures: “I draw flowers on them and send them out every morning to a group of people.”

He demonstrates, tracing his finger over the tiny screen with such absorption that I worry he will stop talking altogether. “Who would have thought the telephone would bring back drawing?” he exclaims with glee.

“It’s such a great little device, it has every Shakespeare play in it and the Oxford English dictionary. In your pocket! But it’s also amusing, look at this.” He blows into it and his new toy becomes a harmonica.

Newsletter June 2009

 

 

Walter’s Art News

June 2009

Hello Everyone

Welcome to the my Art News, first one for the year! Note that I have changed the way I send these. Please let me know how it looks on your computer or phone.

Continue reading “Newsletter June 2009”

Eric Voegelin & Participatory Consciousness

quoted in

The Philosopher and the Storyteller
By Charles R. Embry

The symbols do not refer to structures in the external world but to the existential movement in the metaxy from which they mysteriously emerge as the exegesis of the movement in intelligibly expressive language. Their meaning can be said to he understood only if they have evoked in the listener or reader the corresponding movement of participatory consciousness. Their meaning, thus, is not simply a matter of semantic understanding; one should rather speak of their meaning as optimally fulfilled when the movement they evoke in the recipient consciousness is intense and articulate enough to form the existence of its Human bearer and to draw him, in his or her turn, into the loving quest of truth.

google books

Amazon

I found it fascinating that through the words participatory consciousness the dialogue and archetypal psychology – with its notion of metaxy come together.

Careful reading of the passage points to the responsibility of the sender. Sending might involve beauty. In imago we are asked to listen to some ugly sends! Fair enough, but what if they were works of art?

Participatory Consciousness

“Each person is participating, is partaking of the whole meaning of the group and also taking part in in it”

David Bohm

I am reading On Dialogue.  Not sure where I got that quote from though, had it hovering here in some scraps.  It is central to the idea that dialogue is NOT just exchanging information but CREATING something new, that that is common to the participants.

This idea has been central my understanding ever since I first participated in groups in the early eighties.  I knew something was happening that was bigger than me yet fully connected.  My Psychodrama thesis tries to articulate this ideas.  Now it is here well expressed by David Bohm.

Listening is not just about “getting it”, it is also about doing something more.  I am thinking of the Imago dialogue as I read the passage below from the first chapter: On Communication, page 3.  Imago is about getting it, and the doing the Validation step, which is still not quite what Bohm is getting at. Perhaps the “difference” does not emerge until the response?

Nevertheless, this meaning does not cover all that is signified by communication. For example, consider a dialogue. In such a dialogue, when one person says something, the other person does not in general respond with exactly the same meaning as that seen by the first person. Rather, the meanings are only similar and not identical. Thus, when the second person replies, the first person sees a difference between what he or she meant to say and what the other person understood. On considering this difference, they may then be able to see something new, which is relevant both to their own views and to those of the other person. And so it can go back and forth, with the continual emergence of a new content that is common to both participants. Thus, in a dialogue, each person does not attempt to make common certain ideas or items of information that are already known to him or her. Rather, it may be said that the two people are making something in common, i.e., creating something new together.

But of course such communication can lead to the creation of something new only if people are able freely to listen to each other, without prejudice, and without trying to influence each other…

The full summary, validation & empathy steps seem important not just to exchange information, but to connect. To go beyond prejudice and trying to push an agenda requires the Imago steps.

Validation also leads to the creativity that Bohm is valuing. Validation involves making sense of the other while standing in their shoes, then facing them and saying you makes sense, and what makes sense is… seeing and experiencing how things hang together in their world. Understanding involves knowing how various things interconnect. To see the other persons world like that, and then to let them know how you see it may lead to encounter. Validation is a step towards encounter. Stepping into the other’s shoes and seeing the world differently may lead to new insights in the listener. The suspension of judgment is not to abandon ones judgment or perspective. There is an internal encounter… material for the next response.

Validation operationalises what Bohm is calling creativity – and Moreno calls encounter.

Finger Painting

New York Times

NYT

The art that graces the cover of this week’s New Yorker magazine is entitled “Finger Painting.” It’s the ideal name, since the artist created it using nothing more than his finger and trusty iPhone.

Artist Jorge Colombo designed the scene of a New York City hot dog vendor using an iPhone app called Brushes, software he only started using in February. Created by developer Steve Sprang, the $4.99 program lets anyone from amateur to professional draw and paint using the iPhone as canvas.

Note: I was there first!