“Origins of Encounter and Encounter Groups” by J.L. And Zerka Moreno

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I managed to get hold of a monograph, Origins of Encounter and Encounter groups. (Moreno & Moreno, 1970). It is a stimulating read. I have just created three separate posts.


Balancing openness with the integrity of the psychodrama method.

Moreno and social science
This monograph has a concise statement that I have not seen before.

Encounter
This is obviously the main theme of the monograph. Useful. Encounter is so central to Moreno’s opus, but it has not been developed well in practice. It was railroaded by the ‘encounter’ movement.

Moreno, J. L., & Moreno, Z. T. (1970). Origins of encounter and encounter groups (Psychodrama and group psychotherapy monographs, no. 45). Beacon House.

Encounter

This is the third of three posts based on the monograph “Origins of Encounter and Encounter Groups” by J.L. And Zerka Moreno

This is obviously the main theme of the encounter monograph. There is more here on encounter than I’ve seen in other books by Moreno.[Check out Vol 2] Useful. Encounter is so central to Moreno’s opus, but it has not been developed fully in practice. It was railroaded by the ‘encounter’ movement.

I think some clarification is needed, philosophically, for the psychodrama director to enhance practice, and for people seeking greater depth of encounter in their lives. How is encounter related, in practice, to role reversal, mirroring and doubling, how can encounter be produced on the stage and as a phenomenon in life?

A more comprehensive definition of encounter is contained in Progress in Psychotherapy, Vol. I.* “Encounter, which derives from the French rencontre, is the nearest translation of Begegnung. The German zwischen-menschlich and the English ‘interpersonal’ or ‘interactional’ are anemic notions compared to the living concept of encounter. Begegnung conveys that two or more persons meet not only to face one another, but to live and experience one another—as actors, each in his own right. It is not only an emotional rapport, like the professional meeting of a physician or therapist and patient or, an intellectual rapport, like teacher and student, or a scientific rapport, like a participant observer with his subject. It is a meeting on the most intensive level of communication. The participants are not put there by any external authority; they are there because they want to be— representing the supreme authority of the self-chosen path. The persons are there in space; they may meet for the first time, with all their strengths and weaknesses—human actors seething with spontaneity and zest. It is not Einfühlung; it is Zweifühlung—togetherness, sharing life. It is an intuitive reversal of roles, a realization of the self through the other; it is identity, the rare, unforgotten experience of total reciprocity. The encounter is extemporaneous, unstructured, unplanned, unrehearsed—it occurs on the spur of the moment. It is ‘in the moment’ and ‘in the here’, ‘in the now’. It can be thought of as the preamble, the universal frame of all forms of structured meeting, the common matrix of all the psychotherapies, from the total subordination of the patient (as in the hypnotic situation) to the superiority and autonomy of the protagonist (as in psychodrama).” “Summing up, Begegnung is the sum total of interaction, a meeting of two or more persons, not in the dead past or imagined future, but in the here and now, hic et nunc, in the fullness of time—the real, concrete and complete situation for experience; it involves physical and psychic contact. It is the convergence of emotional, social and cosmic factors which occur in all age groups, but particularly in adolescence (Begegnung syndrome); it is the experience of identity and total reciprocity; but above all, psychodrama is the essence of the encounter.”

* The first journal which has the phrase “interpersonal relations” in its title.

(Moreno & Moreno, 1970)

I’m not sure if the reference is to Psychodrama Vol 2, but that does have a relevant passage:

In other words, a process which had operated from the start, parallel to the charm produced by transference, is now coming more strongly to the fore. He sees the patient now as she is. This other process acting between two individuals has characteristics missing in transference. It is called “tele”, feeling into one another. It is “Zweifühlung” in difference from “Einfühlung”. Like a telephone it has two ends and facilitates two-way communication. It is know that many therapeutic relations between physician and patient, after a phase of high enthusiasm from both sides, fade out and terminate, often for some emotional reason. The reason is frequently a mutual disillusionment when the transference charm is gone and the tele attraction is not sufficiently strong to promise permanent therapeutic benefits. It can be said that the stability of a therapeutic relationship depends upon the strength of the tele cohesion operating between the two participants.

(Moreno & Moreno, 1975:6-7)

Moreno, J. L., & Moreno, Z. T. (1970). Origins of encounter and encounter groups (Psychodrama and group psychotherapy monographs, no. 45). Beacon House.

Moreno, J. L., & Moreno, Z. T. (1975). Psychodrama Second Volume: Foundations of Psychotherapy (Second Printing). Beacon, New York: Beacon House.

Balancing openness and integrity of the psychodrama method.

This is the first of three posts based on the monograph “Origins of Encounter and Encounter Groups” by J.L. And Zerka Moreno

The psychodrama method is an open system, people add to it and take from it in various ways. In the Australian and Aotearoa tradition we do a lot of role reversal, more than in the US. We have incorporated the focal conflict model as a way of making sense of group process. Role theory includes coping, fragmenting and progressive roles, borrowing from Karen Horney. On the whole we do honour the philosophy of Moreno as the basis for our work. I hope there os room to develop further, especially using sociometric methods to explore the philosophy and new techniques. Also it may be useful to know that there is no exact one way to do psychodrama.

I found this passage recently. The openness is like open source software, it means psychodrama does not belong to anyone. To maintain the integrity of the philosophy it is important to delve into it collectively and show how it is integrated with practice.

It is not so important that Moreno’s school did these things first. That is merely one aspect of the problem. But we want to pierce the vanity and outrageous bravado of our many good friends and enemies Who, under the broad mantle of science, have disowned and absorbed these ideas and are brazenly trying to get away with it. The problem is not “getting a bigger bag of better working tricks.” The problem is far more serious; the disowners undermine a system of thought, a view, a philosophy of the world, a synthesis of methods which hang together and whose break-up produces confusion instead of enlightenment, invite disaster instead of producing cohesion.

Freud’s dilemma was holding his ideas tight to himself, therefore his rejection of everyone who did not recognize his priority and adhere to the dogma: Jung, Adler, Rank, Stekel, Ferenczi, among others. Moreno did the opposite. He is tolerant and devoted to his students. His secret weapon was “giving away” his ideas; his strength lay in letting people use his ideas, encouraging them to try them out, making them their own. There was considerable risk in this; losing the priority claim was only one small part, the deeper conflict arose out of separating the methods from the philosophy. Substitute theories and philosophies are false and misleading, as they abrogate or abort the complete execution of the methods. Moreno’s position was therefore: “Take my ideas, my concepts, but do not separate them from their parent, the philosophy; do not split my children in half, like a Solomonic judgement. Love them in toto, support and respect the entire structure upon which they rest. Make them your own as completely as I do. Role reverse with me and put yourself entirely into my position.” Many have not done this; they have split the children and separated them from their true parent, like the false mother before Solomon intended. But an ever-growing number are becoming aware and the recognition gap is slowly narrowing. If Moreno – continues to make his students aware of this gap, his way may yet prove to be the Winner.

(Moreno & Moreno, 1970)

Moreno, J. L., & Moreno, Z. T. (1970). Origins of encounter and encounter groups (Psychodrama and group psychotherapy monographs, no. 45). Beacon House.

Moreno and social science

This is the second of three posts based on the monograph “Origins of Encounter and Encounter Groups” by J.L. And Zerka Moreno

I’ve read and written extensively on Moreno’s scientific methods. This is a concise statement from the Encounter Monograph I have not seen before.

Moreno’s Ideas of a Science of Human Relations

An adequate science of human relations did not exist before the advent of sociometry. *

“Comte’s Hierarchy of the Sciences, 1) mathematics, 2) astronomy, 3) physics, 4) chemistry, 5) biology, and 6) sociology, has become obsolete. His assumption that all sciences can be treated by the same basic methodology is an error. The social sciences need—at least in their crucial dimension—different methods of approach. The crux of the ontology of science is the status of the ‘research objects.’ Their status is not uniform in all sciences. There is a group of sciences like astronomy, physics, chemistry and biology in which the research objects are always mere ‘objects’. Their actions speak for themselves and the generalizations concluded from them are not threatened by any metaphysical protest or social revolution of their kind.

Then there is another group of sciences, the social sciences. It is because of a chronic inertia in their development that sociometry has raised the question: how are social sciences possible? It has found that the social sciences like psychology, sociology, and anthropology require that its objects be given ‘research status’ and a certain degree of scientific authority in order to raise their level from a pseudo objective discipline to a. science which operates on the highest level of its material dynamics. It accomplishes this aim by considering the research objects not only as objects but also as research actors, not only as objects of observation and manipulation but as co-scientists and co-producers in the experimental design they are going to set up.” Our two chief experimental designs are sociometry and psychodrama.

* J.L. Moreno, Who Shall Survive?, 1934 and 1953. p. 63-64.

(Moreno & Moreno, 1970)

Moreno, J. L., & Moreno, Z. T. (1970). Origins of Encounter and Encounter Groups (Psychodrama and group psychotherapy monographs, no. 45). Beacon House.

iPad Pro – Pros and Cons

I would love it – for one thing: Drawing. iPads have never really done that well. But maybe this one, with its Pencil, beats the Wacom tablets.

BUT
Its not a computer. It drives me crazy on the iPad to add items to a calendar – to edit anything, it is such a pain to try to get the curser to go to the right place! I can’t see it replacing a Mac where the input options include a trackpad and a mouse. Touch screens that flop around laptop-style are so wrong – as Steve Jobs said “ergonomically terrible”!

But a Mac is no good for drawing.

I had a Toshiba M200 that was ok, it converted quite well – back in 2002! (Images) It went from vertical to horizontal.

Steve Jobs would not have succumbed to the vertical iPad. There has to be a better solution. An OSX device that incorporates touch, something like the new Surface Book (Images) is one possibility. I can’t bear the thought of going back to Windows & Microsoft, Surface Book reviews mention the crashes, the lack of attention to detail in the hardware design. Will convergence that allows conversion in hardware and software functions come to Apple?

In the meantime – and for a long time I imagine – in the Apple world we are stuck with the need for two devices, a Macbook and an iPad Pro. Probably three devices, I’d still want my iPad Mini for curling up with, the iPad Pro seems too big for that.

I hate seeing the iPad Pro used like a laptop, copying the ergonomically terrible Microsoft devices. As a horizontal drawing tool they look great.

Best advice for Apple: Create a touch/non-touch convertable OSX beta for the iPad pro. Maybe they are working on this?

To a Waverer, by Bertolt Brecht

To a Waverer, by Bertolt Brecht

You tell us
It looks bad for our cause.
The darkness gets deeper. The powers get less.
Now, after we worked for so many years
We are in a more difficult position than at the start.
But the enemy stands there, stronger than ever before.
His powers appear to have grown. He has taken on an aspect
of invincibility.
We however have made mistakes; there is no denying it.
Our numbers are dwindling.
Our slogans are in disarray. The enemy has twisted
Part of our words beyond recognition.

What is now false of what we said:
Some or all?
Whom do we still count on? Are we just left over, thrown out
Of the living stream? Shall we remain behind
Understanding no one and understood by none?

Have we got to be lucky?

This you ask. Expect
No other answer than your own.

Its more than a year since I posted some of my art. There are reasons! But here are a few more – continuing more or less where I left off.
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