Avatars change who we are

The “sig” series I am doing, and there are a lot of them, are with a consciousness of the importance of identity and how the relationship with an avatar is reciprocal.  Signing images I make is a work in process.  I have signed some on the computer, but mostly I print them and sign and date them on the day of printing.  I think of it as marking the making of the physical object. 

More and more I want to sign them as I make them.  One way or the other?  Right now it could be anything! These Sig images, made on the iphone are printing well.  I sign them again.  Just WL and the date, in pencil.

But the alchemy of the avatar is still at work, and the change is not done.  I amight be a bit old for this sort of adolescent exploration… but that is the way it is!  As an artist I am young.

Science of Sex | The Digital Lover | Proteus Effect:

“Who we choose to be in turn shapes how we behave,” Yee writes in the draft paper. “While avatars are usually construed as something of our own choosing – a one-way process – the fact is that our avatars come to change who we are.”

Dick Frizzell – The Painter

image

Enjoying this book a lot! His art is fun and his storytelling is fun. I identify with him a lot. Drawing from comic books as a kid, being the best drawer in the class. Uni in the sixties at Canterbury.

I learn about art too. For example the British painter William Scott was briefly an influence on Frizzell. I’ll post up some of his. I like them. Simple, but really more difficult to pull off than they look!

Waltzzz



Waltzzz, originally uploaded by Waltzzz.

Like an adolescent I have been playing with my signature. Unlike an adolescent I am conscious of identity, how being a therapist and an art blogger in the social media can be complex.

I like this one!

La Bella Principessa

From World News
davinci

A portrait of a young woman thought to be created by a 19th century German artist and sold two years ago for about $19,000 is now being attributed by art experts to Leonardo da Vinci and valued at more than $150 million.

The unsigned chalk, ink and pencil drawing, known as “La Bella Principessa,” was matched to Leonardo via a technique more suited to a crime lab than an art studio – a fingerprint and palm print found on the 13 1/2-inch-by-10-inch work.