Category: Art Talk

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hcard and linking stuff

I am still mucking around with Microformats, Id do it on my Psyberspace blog but it is harder to fiddle there on WordPress.com (must change it over to my own server. some time)

Have added a hCard to the bottom of the sidebar in the main view.

Some software will show up what is there eg Operator, Firefox add-on.

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It is not nothing to do with art. Here is a hCard for example for Andy Warhol. It is part of wanting to make maps of connections between paintings, art networks as net artworks. So I am exploring these Microformats and FOAF and JSON all things Google are getting into.

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Making links between painting and so on is definitely art for me, and it is very psyber. I will be blogging and linking these discussions in the Psyberspace blog.

Andy Warhol
Born: August 6, 1928
Died: February 22, 1987

New York
U.S.A.
artist

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Shoalhaven Art

I have a nasty feeling as I surf the web that I should be working or creating, but if I had done that I would not have found Patrick Shirvington’s art or learned about the Arthur Boyd residency.  Now:  https://www.bundanon.com.au/

I love the Shoalhaven River in NSW, Australia – one of my favourite places. I canoed down it when I was in my late teens and also went on a few bushwalking trips. I enjoyed a video recently of Arthur Boyd doing huge plein air on the river. It is a place where I would love to go & do art!

Images follow. Both of them inspire me to keep going with my landscapes, and I need a bit of inspiration on that right now.

Continue reading “Shoalhaven Art”

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Excellent article on Peter Doig

Guardian

Charles Saatchi came to some of Doig’s early shows, in pubs and odd spaces, but he never bought anything. The press was full of articles about the death of painting, but Doig, who by now had a wife whom he’d met at St Martin’s and the first of their five kids, trusted those obituaries were exaggerated.

Perhaps one consequence of his rootless childhood was a hoarder’s habit: he was a great collector of images and scraps of things, taking Polaroids, hanging on to bits of strangeness he saw. In London, he often went to Canada House on Trafalgar Square to raid its library of travel brochures, trying to make some sense of his memories of adolescence in Toronto. In contrast to the slickness of the art that was making headlines, he had a desire to make paintings that were resolutely ‘homely’, often literally so: a recurring obsession in his work were colloquial suburban and rural houses, glimpsed from across roads or through trees, domestic images so singular that they shift, like David Lynch scenes, into the territory of uncanny.

White Canoe Image follows:

Continue reading “Excellent article on Peter Doig”

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Dame Edna – Barry Humphries – Art Online

This is innovative!

Barry Humphries will go head to head with his alter ego, Dame Edna Everage, tomorrow in a public battle for artistic appreciation. The 73-year-old Australian star, who is recovering from peritonitis that almost killed him earlier this month, has decided to go ahead with the launch of his innovative online art gallery. Humphries has painted seriously since his teens and has agreed to be at the centre of a new art project that will allow internet users not just to download his work for free, but to alter it.

Free paintings and the right to alter them. I wonder if you can also sell them on!

I am interested as my own copyright is loose, but more restricted.

There is one difference, he has the original, in the case of my digitals you can access the actual original. (ask me for the URL)

I am looking forward to seeing these, when I find them I will make another post.

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Digital Art

Art.Net: Digital Artists

A long list of images & links of digital artists. I am on the hunt for digital artists who I feel aesthetic affinity with. There is so much beautifully executed stuff that looks like it is from fantasy games, si-fi book covers or glamour magazines. What prompted this search is finding Brian Grimwood who is on my list. My recent post.

I think that finding the simple hand made work I like is hard because there are not a lot of Tablet PCs out there. Using the Wacom tablet separate from the screen perhaps does not foster the the presence of the hand. Also there are so many features & filters that simplicity is hard to find.

Digital Art Wikipedia:

Some say we are now in a postdigital era, where digital technologies are no longer a novelty in the art world, and “the medium is the message”(Marshall McLuhan). Digital tools have now become an integral part of the process of making art. As silicon-dry digital media converges with wet biological systems, Roy Ascott has pointed to the emergence of a “moistmedia” substrate for 21st century art.[1]

What is a “moistmedia” substrate? That sounds interesting. But where is this stuff?

Found this:

Ascott, Roy
Technoetic Pathways toward the Spiritual in Art: A Transdisciplinary Perspective on Connectedness, Coherence and Consciousness
Leonardo – Volume 39, Number 1, February 2006, pp. 65-69

The MIT Press

Intechnology we are witnessing the convergence of dry computational systems and wet biological processes, involving the assembly of bits, atoms, neurons and genes in conjunctions that will provide the artist with a new kind of material substrate, for which I have coined the term moistmedia [1]. Of these components, it is the bit that is the most familiar to artists: computational systems and digital media have dominated the techno-art scene for at least 30 years. Attention in this paper, however, is directed to the atom, to the nano level of interaction, and to the molecular domain—more particularly, to an organism’s information network of photons emitted by DNA molecules, paralleled technologically by the constant flows of electrons and photons across the body of the planet through telematic networks.

Hmmmm

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Paint? More from the workshop…

Close
Larger Image.

Here is another cross. This one is a hybrid. The back-ground is paint and the verticals are digital. There is no original either, the base image was from a shot I took of part of the canvas, resized from landscape to square, beefed up the image in post-production. I think it will make a good print.

I still have the 600×600 mm original acrylic but it got tortured out of recognition! A lot of agony & ecstasy.
This one shows a some of what I learned over the three days. Layers. Removing paint in a variety of ways. I will keep going with this. More hybrids, and perhaps the other way around too! I could print the vertical on the texture.

My goal is to make a set of physical ones.

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Some more from the workshop soon, I still have the photos to take.

Later: Saturday, 5 July, 2008

This image is now featured in the Gallery

full size

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Brian Grimwood – illustrations – book & chat

I am back from the workshop and had a bit of a browse of the bookstore. The little “Coffee With… series caught my eye… because of the illustrations on the front. (Coffee with Michael Angelo, by James Hall, fun!)

book

On Amazon (click the image) you can see links to the others in the series, I particularly like the Mozart one, interesting use of colour. The artist is Brian Grimwood, I have just been exploring his website with delight. Ok, it is commercial art, but it is art. The image that follows is a good example of artistic exploration. I am in tune with that right now having been doing it solidly for three days. My hunch is that these illustrations are all digital, and he is a lovely digital sketcher!
Continue reading “Brian Grimwood – illustrations – book & chat”

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Landscapes

North Canterbury

A new project. Landscapes. Unsure as ever but need to follow this. As in the Earth Crosses the starting point is Thousand Sketches. One or two are coming straight over as part of the new series, but mostly I am redoing old ones and making new ones. I want to find about a dozen I like.

Some new aspects I am noticing. The calligraphic lines, all of them in this series. while digital, will have this, I am pursuing this. The other new thing is that I will use these sketches to make oils. I will post them as I do them but on the whole I’d like to present a selected set of them, digital images and corresponding oils.

What I like is that via the blog the unity of the work is maintained. These images can “phone home”.

I wrote this to a friend who commented on my work:

“The whole cyberspace side of it is important to me, I think it will impact art more and more. The objects, even when one off and in paint etc, can have a ‘virtual life’ as well, they can forever be linked to the artists words and to other items in the project or series… books & letters did it occasionally, but it was complex, hit and miss. I think it is a significant step in this era. So I am glad you noticed that aspect of the work.”

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