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Tools, iPad anticipation

I wrote a bit on my Psyberspace blog after I did the last three sketches. Here is a quote:

Tools evolve, and the best use of any given tool is of value. I have done a lot of sketching on my Palm PDAs – tool I’ll never use again – but therein lies something of value. The lead pencil has no colour. But look what has been done over the centuries with the humble pencil, and it lives. The current – no pressure iPad will die and be gone, but I look forward to making use of it, while it is in its first iteration. What can the finger do on that thing?

Here are some examples, some good stuff there.

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Three new sketches & tools

First time in months I’ve put pen to screen! Playing.

The last one called “Making Time” Mostly using ArtRage on the Toshiba M200.

making time

I love the process. I am so familiar with the tools – the software and the M200.

I have my eye on an iPad. It will not have the pressure sensitivity. What it will have is mobility. It is so sad that MS did not have the ability to develop the Tablet. The Toshiba M200 is small enough, but impossible (for me at least) to master when folded into its slate form. And the battery life is measured in minutes even with my new battery. There is still IMO a place in the market for MS to make a Windows 7 convertible. I am over my initial iPad disdain. I am appreciating Apple’s solid building and pragmatics combine with the revolutionary. They took over the music industry even though they came in late to the mp3 market, not a mean feat brilliant strategies!

Tools evolve, and the best use of any given tool is of value. I have done a lot of sketching on my Palm PDAs – tool I’ll never use again – but therein lies something of value. The lead pencil has no colour. But look what has been done over the centuries with the humble pencil, and it lives. The current – no pressure iPad will die and be gone, but I look forward to making use of it, while it is in its first iteration. What can the finger do on that thing?

Here are some examples, some good stuff there.

✔ July 2021

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Fourth Wall

I recently learned this bit of theatre jargon.  Psychodrama obliterates the fourth wall, and at the same time totally makes the distinction between audience and stage.

Fourth wall – Wikipedia, the free encyclopedia:

The fourth wall is the imaginary “wall” at the front of the stage in a traditional three-walled box set in a proscenium theatre, through which the audience sees the action in the world of the play.[1][2] The idea of the fourth wall was made explicit by Denis Diderot and spread in nineteenth century theatre with the advent of theatrical realism,[3] which extended the idea to the imaginary boundary between any fictional work and its audience.

The presence of the fourth wall is an established convention of fiction and drama, which has led some artists to draw direct attention to it for dramatic or comedic effect. When this boundary is “broken”, for example by an actor onstage speaking to the audience directly, or doing the same through the camera in a film or television program, it is called “breaking the fourth wall.”[1][4]

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