Walter Logeman: Journal
Whakapapa
Kahukiwa began painting as a young housewife in Greymouth in the late 1960s. A belief in whakapapa underpins her work: ‘My identity in things Maori is made possible because of my ancestors. It exists because of whakapapa, tribal culture and tradition. My links with the past are as important to me as the fact of my being, my future and the future of my children.’
Te Papa holds eighteen works by Robyn Kahukiwa.
Opening Mark Hutchins Gallery Wellington,24 february 2009
janezustersartdiary.blogspot.com
Great to see how art & this environmental project combine.
I am pleased to have found Diana’s blog. Some fine digital art.
She talks of going from Digital to analog. A process that has me stopped in my tracks right now!
Quotes & Image follow
I was inspired by a visit today to the Arthouse, Richard Adams exhibit.
Image follows:
More on the calligraphy theme…
Ian Boyden’s fascination with materials, industrial processes, text and the calligraphic line led him to China where he studied history and the practice of Chinese calligraphy, painting and bookmaking with masters of those arts. He worked for Walla Walla Foundry where he learned to cast, weld and chase bronze, and in Portland with Kathy Kuehn at Salient Seedling Press to learn letterpress printing and a variety of bindings. He founded Crab Quill Press to produce limited-edition, fine press artist books and in 1998, moved the Press to Walla Walla where he also works as the director of the Sheehan Art Gallery at Whitman College.
Augen – Ian Boyden
Good selection (Most are in the other linked sites too.)
Intaglio Printmaking – Wikipedia
Beautiful books! Images follow. You can only see them if you see the post rather than a whole list of posts. I only show my own in that way.
Monday, May 10, 1976, Robert Hughes wrote an obituary in TIME of Mark Tobey Incarnations of Tobey TIME
By the ’50s, a stereotype of Tobey had emerged, and it was to affect his reputation in American art: the sage of the Pacific Northwest, perched on a misty crag, making exquisitely obscure calligraphic doodles. Tobey had worked for a year in China. At that time it was hardly possible for a painter to have done this without being regarded, in some circles, as a perambulating bodhisattva.
I am posting to pursue a thread. The relationship between calligraphy and modern art. It is there everywhere once you look. The action painters, like Franz Klein, Max Gimblett, Pollock. I will keep at it.
More here, and here is a good site: MARK TOBEY, American artist 1890-1976, Page by Arthur Lyon Dahl It has paintings as well as this photo of him:
Bridgeman Art Library – Image Search
Good sample – small images.
That is one of about three Toby books I just bought online! Through Amazon but dirt cheap from secondhand shops. They will take months to get here, I may be over Toby by then, but I doubt it.
More text & images by Mark Tobey follow.
Lisa Rivas has written a great post about my work. Thank you Lisa.
She found some info I wrote about doing circles as a child. Thousands of small yellow circles they were. I was about 6. Day after day I did circles and coloured them yellow. I don’t colour them all the same, but I still do circles! As both images in Lisa’s post show!
Some collaboration with Lisa is brewing… watch this space. Also Note that I have updated my Artists links in the sidebar.
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Thinking about circles and the Zen of circles I got going on a few more. Did lots, saved two.
Circle
Larger Image.
Another follows:
By Italian street artist Blu: Muto, I got it from Long Now.
MUTO a wall-painted animation by BLU from blu on Vimeo.
I am slowly finding more artists who do digital work that impresses me. Lisa Rivas is one. Mud Pie e-stamps for the WWW
This is one of my favourites, it looks good and it is a really quirky collectible concept!
